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Victorian steam meets Tudor timber | Then and Now

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The old Tudor building on Cheap Street is far more than meets the eye of the casual shopper, says Roger Guttridge.
A steamroller heads towards Abbeylands c1900. Picture from Simon Rae’s book Dorset of 100 Years Ago (1993)

It’s one of the finest old houses in Sherborne, passed daily by hundreds who rarely give it a second thought or glance. But step inside the half-timbered Abbeylands in Cheap Street and it turns into the Tardis. Not in design, of course – there is nothing even vaguely resembling a space-travelling police box – but in scale.
“How many boarders do you have?” I asked housemaster Rhidian McGuire after he explained that Abbeylands is a boarding house for Sherborne School.
“Seventy-four.” “Seventy-four?” I doubtfully exclaimed, suddenly realising that there must be far more to this
building than meets the eye. In fact it stretches back and back and back from Cheap Street, towards the main school buildings. To my architecturally uneducated eyes, the grade II-listed building looks unmistakably Tudor, but the date of 1649 above the front door confused me (the last Tudor monarch, Elizabeth I, died 46 years earlier). That construction date was also the year of Charles I’s execution, and the Commonwealth of England.
Troubled times.
The Dorset volume of Newman and Pevsner’s classic series on The Buildings of England suggests the dating is not that straightforward; the entrance porch includes features “that one would call Jacobean, and a hoodmould which looks Early Tudor”. “That must surely be reused,’ say Newman and Pevsner, adding that
the porch “must have originally belonged to the next-door house”. The Old Shirburnian website provides further illumination, confirming that Abbeylands – so named because it stands within the precinct of Sherborne Abbey – is a combination of two separate properties. It has been in continuous use as a boarding house since 1872, and staff and housemates are celebrating the 150th anniversary this year.

A similar view of Cheap Street and Abbeylands today

Sherborne School originally rented Abbeylands from the descendants of former headmaster John Cutler
and bought it in 1921 for £4,187. The Old Shirburnian site also confirms my suspicions of a Tudor connection, adding that the half- timbered frontage on to Cheap Street ‘dates from the late 16th century and has a projecting upper storey and three gables’.
The premises were at one time occupied by the Sherborne Coal, Timber, Corn and Cake Company, which was dissolved in 1921. I wonder if the steamroller powering up Cheap Street in this circa 1900 picture was about to pick up some coal from the shop. These days you can only drive down one-way Cheap Street and
you’re unlikely to spot a steam- powered vehicle.

The tale of the runaway rector | Looking Back

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There’s nothing like a naughty vicar story to set tongues a-wagging, and the Rev W M Anderson certainly did that, says Roger Guttridge.
Mrs Axford, who left her husband and two daughters in 1912 to elope with the Rev. Anderson, rector
of Durweston and Bryanston

The rector of Durweston and Bryanston was already low in diarist Julietta Forrester’s
stimation, and when he eloped with a parishioner, his reputation went through the floor.
“Received a letter from Mrs Oborne saying that Rev W Anderson had gone off on Wednesday with Mrs Axford, Lord Portman’s coachman’s wife,” Julietta noted on January 25, 1912.
“There had been talk about them for some time. He said he had loved her for 17 years! It seemed incredible!
”‘I never thought of Mrs A behaving so but Anderson was bad enough for anything! I believed he had sold his soul to Satan over the Durweston Ghost!”
This was a reference to Durweston’s headline-making poltergeist, the subject of this column in our October issue. Anderson was among those who took the spooky events of 1894-95 seriously, unlike the sceptical Mrs Forrester. Even before the poltergeist, Julietta – wife of James Forrester, agent for Lord Portman’s Bryanston Estate – was not enamoured with the rector.

Lord Portman was disgusted
After his first service at Bryanston in 1893, Julietta wrote: “I liked his appearance and voice. I wish I had liked his sermon.” In 1895 she complained that Anderson was neglecting the Bryanston half of his flock. And when Durweston and Bryanston played Blandford at cricket that same year, she commented that “our rector,
Mr Anderson declined to play because he was afraid of the weather!” It appears that God was not on their side either.
After Blandford declared their innings at 300 for 9, the Durweston and Bryanston XI were skittled
out for 70. Fast forward 17 years to 1912. On February 3, Julietta noted that Lord Portman was “very
disgusted” with Anderson ‘after all he had done for him, paying for him to go abroad etc”. She added: “About two years ago, on hearing of the intimacy between Anderson and Mrs Axford, Lord P spoke to the former about it but A denied all the charge.”
Anderson’s more charitable parishioners might have forgiven his inability to resist the lure of love but less
forgivable was the theft of his curate’s pay packet, and money from the Coal Club fund to finance the elopement. He had also “left his wife his mother and his sister destitute”, according to Julietta.

Cuckolded James Axford, a diminutive man of less than 5 feet in height, was Lord Portman’s coachman and known as a fine horseman

No welcome in Halifax
Her diary continues: “Axford had spoken to Lord P about a divorce but as he had actually seen his wife off by train when she left him (because people should not say they had parted bad friends or that he had
driven her from home!), Lord P told him he had connived at the elopement and therefore would be unable to obtain a divorce. “The two [Anderson and Mrs Axford] had first gone to Halifax to her brother’s but he refused to take them in and where they went then did not appear to be known.”
Two years before his death in 2014, Pete Sherry, a grandson of James and Mrs Axford, told me the hostility to the runaway couple was such that a crowd threatened to tar and feather them as they waited on the
platform at Blandford station. Pete, of Maperton, near Wincanton, confirmed Julietta’s claim that they were turned away at Halifax and added that they then spent six months at the Pump House in Bath.
According to Julietta, Mrs Axford made a brief return to Bryanston hoping to collect the younger of her two daughters, Constance. The child refused to leave. “I suspect Auntie Con hung on to my mother and said she
wouldn’t go,” Pete told me. On February 17, Julietta noted her fear that Anderson would continue drawing his
rector’s stipend as long as he was ‘let alone’.
She added that his ‘unfrocking’ would be costly and had to go through the ‘Court of Arches’.

A quiet end
From Pete Sherry, I learned that after leaving Bath, the elopers went to Montreal, where Anderson eked out a
living as an artist. After his death just seven years later, Mrs Axford worked as lady-in-waiting to the Molson
family, owners of North America’s oldest brewing company.
She eventually returned to England with a substantial pension from Molsons of £7 10s a week. She lived in
Worcestershire until her death aged 98. James Axford, a diminutive man of less than 5 feet in height, retired in 1923. He subsequently lived with his elder daughter, Winifred, and her family at West Orchard and later Maperton, where he died in 1936 and was buried in the churchyard in an elm coffin made by his own hand.
Pete recalled: ‘He was a terrific horseman and taught me to ride ponies.
“He never talked about my grandmother. He was very strict about that and paid a solicitor to make sure she never got in touch with the family.
“We used to get dollars from ‘Auntie in Canada’ and I guess that was my grandmother.” After James Axford’s death, his estranged wife was accepted back into the family, being introduced not as Winifred’s mother but as ‘Auntie’.
• Roger Guttridge’s book Dorset: Curious and Surprising includes chapters on The Runaway Rector and
The Durweston Poltergeist.

by Roger Guttridge

Take a trip to the North America Nebula

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The equinox on March 20th is a sad day for stargazers as that’s when days become longer than the nights, says expert Rob Nolan. But there’s still lots of astral excitement to observe.
NGC7000

Spring is starting to make some appearances, marking the end of a rather cloudy and dull autumn and winter! If you’ve started to take up star gazing recently, you’re probably starting to notice that we seem to get the clearest spate of night skies during a full moon! This is rather troublesome for us astrophotographers, as this makes it more challenging to capture the clarity we want from the blackness of space. However, for observing the lunar surface, there have been some very good seeing conditions; do get out and take a look.
This month, I thought I’d take you to North America … well, the nebula anyway, which is considerably further away than the North American continent! The North America Nebula (NGC7000 or Cadwell 20) is an emission nebula in the constellation Cygnus. The shape of the nebula resembles that of the continent of North America, complete with a prominent Gulf of Mexico.
The portion of the nebula resembling Mexico and Central America is known as the Cygnus Wall which is seen toward the bottom of the image. This region exhibits the most concentrated star formation.
On 24th October 1786, William Herschel, observing from Slough, England, noted a “faint milky nebulosity scattered over this space, in some places pretty bright.” The most prominent region was catalogued by his son John Herschel on 21st August, 1829. It was listed in the New General Catalogue as NGC 7000. In his study of nebulae on thePalomar Sky Survey plates in 1959, American astronomer Stewart Sharpless realised that the North America Nebula is part of the same interstellar cloud of ionized hydrogen (H II region) as
the Pelican Nebula, separated by a dark band of dust, and he listed the two nebulae together in his second list of 313 bright nebulae as Sh2-117.
This image was taken in December last year using Altair 70-EDQ-R Pro Refractor Telescope and Cooled Astro Camera. More thean seven hours of total integration time reveal the most prominent details.

The night sky, April 2022 – Rob’s tips for your stargazing this month:

With Winter now officially over, it’s a race against time to maximise how long we get under the stars
as the dark nights begin to recede. Three bright stars dominate the spring skies: Leading the way we have Regulus in Leo, then Spica in Virgo is to the lower left, and finally the unmistakable orange glow of Arcturus in Boötes. One of the best constellations to look for this month is Leo (the lion); one of those rare constellations that actually resembles the imagery it is named after – in this case a crouching lion.
The star Regulus marks the Lion’s heart, and using a small telescope you can pick out Algieba, which makes up the Lion’s shoulder. Using the telescope, navigate to the beast’s underbelly where you’ll find a clutch of spiral galaxies.
There’s also some great planetary action this month in the dawn skies, with Mercury’s best display in the evening towards the end of the month.
Starting early on in the evening of the 4th to 5th, the crescent Moon passes by the Pleiades and Aldebaran. For early risers, also on the 5th before dawn Mars will pass below Saturn to the right of Venus.
On the 24th to the 27th before dawn, the crescent Moon passes below the planets Saturn, Mars and
Venus. Look towards a clear horizon in the east, and use binoculars to get an even better view.
On the 30th April, Mercury passes the Pleiades in the Northwest.

Meteor shower
The big event this month has to be the Lyrid Meteor Shower, on the night of the 21st to 22nd. It promises to be an excellent year for observing the maximum of this display, due to the fact that the Moon doesn’t rise until 3:30am. Make sure to be ready if the skies are clear on the 21st April – look towards the constellation Lyra in the north east skies as the debris from Comet Thatcher burns up in the atmosphere which will leave a glowing trail of dust.

by Rob Nolan – Find RPN Photography on Facebook here

An Almshouse is available | Sir Anthony Ashley Almshouses

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Sir Anthony Ashley Almshouses Wimborne St.Giles Dorset BH21 5LZ

An Almshouse is available for a single person who is, or close to, retirement age and in need of accommodation.

The Almshouse is one of five properties that is part of a Grade 2* listed building in a beautiful location. The ground floor accommodation is suitable for independent living and comprises of a bed/living room, kitchen and shower room. There is a rear garden and a small, cobbled area to the front of the property. There are no wardens for the properties.

An application form is available from Hazel Garland, Clerk to the Trustees, Shaftesbury Estate Office, Wimborne St. Giles, Dorset BH21 5NA. Telephone number 01725 517214 or contact [email protected]

FORM in flow

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FORM 2022 is now live at Sculpture by the Lakes, where more than 200 inspirational works by 30 leading contemporary sculptors await discovery in this countryside idyll.
Carl Longworth’s Barn Owl II

When it opened on March 30, FORM 2022 transformed this delightful sculpture park, at Pallington Lakes east of Dorchester, into a nationally significant sculpture hub.
Building on the success of 2021’s inaugural FORM exhibition, there is even more to see this year, with a curated collection of large scale and monumental work dotted across 26-acres of gardens, woodland trails, river and lakes, as well as smaller pieces showing in Gallery by the Lakes.
Among the eye-catching new works are those by the late Heather Jansch, celebrated for her sculptures of horses created from driftwood, as well as Barn Owl III, a striking 2.5m piece by talented young British sculptor Carl Longworth. Figurative works by award-winning sculptor Ed Elliott, and Jonathan Hateley, whose pieces are notable for their rich natural textures, are also showing for the first time at this year’s event, along with a new ‘ballerina’ sculpture by Simon Gudgeon, the founder of Sculpture by the Lakes and himself a globally-renowned sculptor.
He said: “It is so exciting to bring together works of exceptional quality in this special setting; here they
are in scale with their environment and all their power and beauty can be experienced.”

Heather Jansch’s sculpture ‘Clover’

Visitors can also stop into Café by the Lakes, where the seasonal menu is created from produce grown
in the park’s kitchen garden, and visit The Artisans’ Bazaar and newly-opened Artisan’s Pantry, with their ranges of hand-made pieces and small-batch food and drink from local producers – you can even build your own picnic to enjoy in the grounds. The final five days of FORM from May 25 to 29 will also include The Garden Festival, featuring the Fire and Food Festival, celebrating everything to do with the garden and outdoor living and dining, with stalls, speakers and live fire cooking in the outdoor kitchen.
Tickets remain just £12.50 –the standard price of entry to Sculpture by the Lakes. With a daily cap on visitors it’s best to book early – see https://www.sculpturebythelakes.co.uk/

Elio Lopez | In Memoriam

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No Suitcase

Dad left home without his suitcase.
One dull and sunless day.
Quietly with soothing wings did he slip away through that portal invisible.
We his family left behind.
Memories aloud, laughter and fun, sighs, a joke.
The calm of wisdom given with love over time.
Gone to re-join your loved ones there, awaiting the day we leave our suitcases behind.

In Loving Memory of a dear Husband and Father, 6th April 2014.

Hugely missed by many.

VALTERIS Beryl Emily Annie (née Brown)

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Beryl Valteris (née Brown), aged 95, passed away peacefully at Dorset County Hospital on 16th March 2022.

Beryl Valteris

Loving wife of the late Francis and mother to twin sons Peter and Paul and daughter in law’s Leesa and Catherine. 

Born in Charlton Musgrove but lived in Blandford for over 70 years. 

Much loved and will be sadly missed.

Cremation to take place at Salisbury Crematorium on Monday 11 April 2022 at 11am.

No flowers but donations if desired to Cancer Research UK c/o Colin J Close Funeral Directors, Peel Close, Salisbury Road, Blandford, DT11 7JU.

Twisted Cider farm has expansion plans approved, despite objections

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Almost two years after a fire destroyed their building, Twisted Cider have received planning permission for a bigger, more diverse operations base.

Dorset Council has approved a change of use application for Twisted Cider to develop a farm building at Spring Farm off Bradford Lane in Longburton near Sherborne. The building is part of Ben Weller’s Twisted Cider premises, and the change of use will cover new cider ‘experiences’ for groups of up to 20 people.
The business has operated from the farm for ten years, but suffered a devastating fire in 2020 in which
it lost equipment and stock. The past two years have been a “real struggle” says Ben Waller, with sales
dropping by 94% The new premises will be 14sqm larger than previously, allowing the business to expand.

Objections by neighbours
Dorset Council approved the change of use application despite some objections, which included neighbours who claim that the proposal amounts to “industrial development by the back door”. Part of the application includes the approval of 12 parking space on the site, and another objection states:
“This is the wrong operation in the wrong place, which will adversely affect neighbours with increased traffic
and influx of too many people to an area of quiet residential properties. Bradford Lane is unsuitable for the type of traffic which this operation will generate.” A planning officer report agreed that the proposal will
generate additional traffic along Bradford Lane, but that ‘the Local Authority cannot object and considers
the proposal does not represent a material harm’.

Business community support
Ben Weller’s application also received numerous letters of support from within the local business community, including the President of Sherborne’s Chamber of Commerce Jane Wood “Mr Weller is an active member of the community, supplying many local businesses and participating in markets and
events in the town and I support his application to develop his business”
Another supporter stated the principle should be to encourage rural businesses to diversify “On-farm
marketing is now a firmly established practice in the UK and is a very natural extension to a farm business
… The addition of an associated sales outlet has been permitted almost universally across the UK cider
industry and forms a vital economic component of such an enterprise. Rural business development in
Dorset deserves support …”
A similarly supportive letter points out that the proposed development plans “llustrate increased distance from previous to proposed location in relation to the nearest residential neighbours … noise impact from Twisted Cider shall be reduced if the proposed location is awarded. Entrance to the proposed car park is also … further away from neighbours driveways.”

New business plans
The new ‘cider experience’ classes will involve visitors cider and juice making, orchard management and the
history of West Dorset ciders. Ben says he intends to open for three extra hours on Fridays and Saturdays, compared to the previous hours (9am to 9pm Saturday and 10am to 4pm on Sundays). A further planning condition restricts any outside use to take place to the west and south of the building with a further condition prohibiting outdoor music. The ‘impact on neighbour amenity’ is considered acceptable.

Contemporary art on ourdoorstep (with great cakes)

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The Slade Centre in Gillingham enjoys a reputation as one of the top visual art spaces in Dorset, says Fanny Charles.

IT is all too easy to imagine that exciting contemporary visual art is only available in big cities – and certainly in this region there is a lot of challenging, cutting edge artwork happening in Bristol. As well as the international Hauser & Wirth arts centre at Bruton and Messums in the Tisbury tithe barn, there are a small number of experienced curators, who are also bringing outstanding work to galleries in unexpected places.
Sladers Yard, a former ropeworks in West Bay – famous for its cute food cabins and the dramatic fossil-rich cliffs – hosts exhibitions by some of the country’s leading painters, ceramicists and sculptors, alongside furniture by the resident designer-maker Petter Southall.
In a farmyard at Child Okeford, Kelly Ross shows work by leading artists of the past 100 years at The Art Stable at Gold Hill Organic Farm – most recently lockdown paintings by one of Britain’s finest portrait artists, Michael Taylor, marking his 70th birthday (see BV, Feb ‘22 issue, p.26).
The Slade Centre, in The Square at Gillingham, in an impressive Edwardian building that was once a department story, shows work by some of the region’s most talented contemporary artists. It was founded by its director, Anne Hitchcock, who was ECO of Wimborne’s Walford Mill Crafts for some years, after an MA at Falmouth and studying at Winchester School of Art.
Recent exhibitions have featured multi-media work (photographs, collages, sketches) by Kirsten Palmer and paintings by Ursula Leach, whose powerful, semi-abstract landscapes often have a provocative environmental message.
Originally on the first floor, the gallery has moved to the lighter and more visitor-friendly ground floor. There is also a cafe which serves a range of teas, great barista-style coffee, supplied by Reads Coffee Roasters of Sherborne, milk from Madjeston Milk Station, pastries and sausage rolls from Somerset’s Lievito Bakery, and
cakes by Sam Ross’s Gillingham- based Lavender Blue bakery.

Impressions
The new exhibition at The Slade Centre, running from 2nd April to 7th May, is Impressions, with work by four North Dorset-based artists, painters Eric Bailey and Jane Barnard, printmaker Victoria Garland and ceramicist Caroline Hughes. The work on show reflects the individual responses of the four artists to wildlife, landscapes and coastlines. The works, through shape, colour, mood, glaze and texture, convey their
impressions of the diversity in the world around us.
The Slade Centre also offers a range of facilities from office suites and meeting rooms to art classes and exhibition space – call 01747 821480.

by Fanny Charles