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It’s a steaming pile …

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Dorset NFU County Chair George Hosford reacts to the recent comments of Environment Secretary George Eustace on not needing artifical fertiliser.
George Hosford lives in hope that ELMS will eventually arrive just as BPS expires, with an administrative system that works first time, complete with a functioning mapping system.

I hope George Eustace, the Secretary of State for Environment, Food and Rural Affairs, is listening – he who
seriously seems to believe (article here) that we don’t need artificial fertilisers because there is enough manure and digestate in the country to sufficiently fertilise all of our crops.
With this sweeping statement, he is implying:
1. that we have been wasting fertiliser all these years because we never actually needed it, and
2. we must have millions of tons of farmyard manure hiding somewhere that we accidently haven’t been using.
The fact is that we already use 48 million tons of manures on our crops in the UK every year, plus one million tons of nitrogen fertiliser, which contains approximately 33 times as much nutrient as there is in a ton of manure. To think this is replaceable with manure is simply ridiculous – we have nowhere near enough animals. (and we keep being told that animals are bad for the climate, but that’s a story for another day).
I have tried to convince myself that public money for public goods will really make sense when we see what
it means, that Environmental Land Management Schemes (ELMS – the primary mechanism for distributing the funding previously paid under common agricultural policy (CAP), ELMS will pay farmers for undertaking actions to improve the environment) will eventually arrive just as BPS expires, with an administrative system that works first time, complete with a functioning mapping system.
I’m sure that the disconnect between Farming Rules for Water and creating healthier soils will also be mended.
NFU president Minette Batters has said the Environment Agency’s (EA) interpretation of the Farming Rules for Water effectively banned farmers from spreading organic manures on land in the autumn. This is contrary to government aims to improve soil health under the forthcoming Sustainable Farming Incentive scheme. Spreading organic manures in early autumn was better than spreading onto bare soils in February, she added. I generally try to be a ‘glass half full’ person, but when faced with such ignorance as has been
shared recently I find myself really struggling to remain calm.

To save, or not to save
Rocketing input prices and yo- yoing grain prices leave farmers with a very high risk of making bad decisions. Fertiliser is in the spotlight, not only because of price, but because of supply – how many
will go short this year? Some well-resourced farmers are in the habit of buying their nitrogen requirement almost a year before they need it, and those who did so last year should be feeling very smug right now. Prices have risen by a factor of four.
But should they be using all that fertiliser this year, or should they save half of it for next year? We are
often reminded that 50% of the nitrogen applied to a crop gives up to 80% of the yield, NIAB (the National Institute of Agricultural Botany) has many graphs demonstrating that the last bit of fertiliser, which we have in the past often applied ‘just in case’, barely pays for itself in more years than when it does.
So is this a time for experimentation, to see what we can get away with and still grow a profitable crop?
Headline yield is not what we need to pay the rent, it is the margin over costs that really matters, and right now we need to do our sums really carefully.
On top of fertiliser woes, we have a huge headache over fuel price and availability; without fuel we can’t spread fertiliser even if we have any. And let’s be honest, something will grow even if it gets no fertiliser
at all, but without fuel, we won’t be able to harvest what has grown, so I know which I consider the more
important. Having said that, for red diesel to be costing more than DERV does at the local pumps once the 47p per litre difference in fuel duty has been taken into account, someone’s doing nicely.

UPDATE:
As we go to press, the Government has announced steps (see details here) to assist farmers with the availability of fertilisers for the coming growing season to help address uncertainty among growers and
keep farmer’s costs down.
With agricultural commodities closely linked to global gas prices, farmers are facing rising costs for inputs including manufactured fertiliser, due to the process depending on gas. Environment Secretary, George Eustice has announced that changes to the use of urea fertiliser will be delayed by at least a year.
In a move to further support farmers, revised and improved statutory guidance has been published on how farmers should limit the use of slurry and other farmyard manure at certain times of year. This will provide clarity to farmers on how they can use slurry and other manures during autumn and winter to meet agronomic needs. This guidance will provide more clarity and has been developed with farmers and farming bodies.
Environment Secretary, George Eustice, said:
“The significant rise in the cost of fertiliser is a reminder that we need to reduce our dependence on manufacturing processes dependent on gas. Many of the challenges we face in agriculture will require a fusion of new technology with conventional principles of good farm husbandry. The measures are not the whole solution but will help farmers manage their nitrogen needs in the year ahead.”
NFU President Minette Batters said:
“Many of the measures today, particularly the updated guidance on the Farming Rules for Water which will allow autumn manure spreading, are positive for farmers. This is what the NFU has been asking for and
I’d like to thank government for making these changes.”

Finally – a police escort
A small bunch of sheep went walkabout in the village recently. By the time we caught up with them, a couple of police cars had joined the chase, careering into the village with sirens wailing and blue lights flashing. It was the usual problem of someone leaving a footpath gate open, so the sheep enjoyed a few hours of freedom, caught on one resident’s hedgehog webcam and a neighbour filmed them wandering around their
garden nibbling bits of this and that, before being escorted back to the field under the eye of the law.

by George Hosford NFU County Chair

Sponsored by: Trethowans – Law as it should be

I am an artist – I must suffer for my art | Tales from the Vale

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I live in Mappowder. And I’m a guitar teacher (I know, not two sentences that you’ll have read before in close proximity, I’d guess). I’ve taught guitar in the States and in France and the wealthy south east of England. I say ‘wealthy’ because teenagers would turn up for lessons with expensive guitars worth thousands. I did wonder at the wisdom of such expensive indulgence to a beginner – rule of thumb is start off with a decent
but relatively inexpensive guitar.
When I started offering lessons here, I wondered what requirements rural Dorset’s rockers would have – and
apparently the first thing you need to teach guitar in Dorset is tact. Not a commodity that abounds in me, but I’ve learnt.

shutterstock

Oh Hank
A new student, retired, is with me, we’re drinking coffee and chatting about what he wants to get out
of lessons. I assess his ability and whether he would actually practise (I’m always naively hopeful on that last one).
What’s the first song you’d like to learn, I asked. He replied, ‘The Young Ones by Cliff Richard and the Shadows.’
I’d just taken a sip, so after I’d wiped coffee off my old Telecaster, I said, ‘Good one, but really, what
would you like to play?’
The Young Ones? was his rather hurt answer.
‘Great song,’ I gabbled, ‘it’s in G and goes like this…’ Twang, twang (that’s Hank’s intro, obviously). It’s a good song: great tune, charming sentiments. A young couple meet (twang) they plan to have kids, so they ‘won’t be the young ones anymore (twang)’.
YouTube the song and you’ll find Cliff, absurdly, criminally handsome (so reminds me of my young self) crooning to a bunch of girls dressed like your gran, all hopelessly in love with him. Good luck with that, ladies.
And do you know what? My sniffy attitude to these old classics has left me. There’s a reason why these old songs live on: they’re well-constructed and play well. It’s charming and fulfilling for me to see that this guy is, to quote a burger chain’s slogan, lovin’ it. It’s a song which thrilled him when he was young and he has
always wanted to play it. And now he is. Not quite like twangy Hank, but he’ll get there.

The teenager
Next, I have a young teenager with his lovely young mum.
I’d had a long chat with mum, who is concerned that I might be put off because he has Asperger’s and is dyslexic. I reassure her that these conditions are absolutely no barrier to being able to play, in fact you’d be surprised at the number of brilliant guitarists with natural ability who are dyslexic. And I understand Asperger’s and we allow for that – in fact we have a bit of a laugh. I can see that after 10 minutes his concentration is lapsing, so I get him to put the guitar down and tell me about himself. Don’t know how, but I
find that he’s good on accents, particularly Australian!
‘My fingers are getting sore,’ he says, to which I reply in a bizarre mixed American accent ‘Son, all art is pain. Y’gotta suffer for your art’.
And I make him stand up and chant:
I am an artist
I must suffer for my art
Art is suffering
Suffering is art.
He’s rather pleased with this, and so is his mum who’s happy that her lad, possibly a little ostracized at school, is enjoying himself.
The next time he comes he says, gleefully, ‘I’ve been suffering for my art’.

Practice makes …
There’s a reason why tens of thousands of people pick-up a new instrument to learn. I wrote a piece about it in The Times and it was replied to by an expert who said that apart from the pleasure it gives it ‘builds important disciplines vital for success in life such as concentration, setting goals, self- confidence…’
But the trick to learning is simple: practice little but often.
I cannot stress that enough. The constant mantra I get from beginners is, ‘it’s difficult’.
Quickly growing a long white beard and adopting a pair of little Oxford Don steel spectacles, I became the philosopher and say,
‘All things are difficult until they are easy’.
And I tell them the tale of a sightseer in New York who asks a laconic cop ‘how do I get to Carnegie Hall?’
The cop pushes his cap back, breathes deeply and wearily says,
‘Lady, you gotta practice.’

by Andy Palmer

Sheds, garages, heating oil … all in a night’s work for local thieves

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Monthly updates from the various North Dorset Police Teams. This month’s news from Gillingham’s PCSO Vicky Biggs.

Gillingham’s team have seen a rise in thefts from sheds and garages, says PCSO Vicky Biggs – no small thing when garden tools are so expensive to replace.

Over the last couple of weeks, we have been starting to see an increase in thefts from garden sheds and garages. The value of property in sheds and garages is more than people think, you may think that your garden machinery is old and not worth a lot but if it was stolen it can soon become very expensive to replace. There are some simple steps you can take to protect your property and make it harder for thieves:

• Keep garden gates, fences and walls in good repair to prevent intruders from getting in.
• Secure your shed by fitting a shed alarm, use reinforced hinges and locks and fit metal grills over any windows.
• Security mark your property and take photographs of the item and its serial number and any unique markings.
• Secure valuable items within your shed to a strong anchor point using security cables, chains and a robust
padlock.
• Do not leave equipment lying around in your garden.
• Fit security lighting.

By following these simple steps, you will be able to protect your property and make your shed and garage uninviting to thieves.

“There has been a report of theft of heating oil overnight 1st March between 1800hrs to 0900hrs in the
Kingston area of the village. If you have any information please contact Dorset Police via 101 or via the Dorset Police website www.dorset.police.uk/do-it-online quoting ref 55220035015”

“Thank you to the good Samaritan who assisted with a lost dog by Langton Road car park in Blandford yesterday, 7/3/22. Your dog lead is at Blandford Station!”

“Carried out a number of enquiries and attended several incidents including a three vehicle RTC near #Blandford. Thankfully, nobody seriously hurt. Thanks as always to our colleagues in green”

or details on your local team’s future engagements please refer to our website. As always, if you wish to contact us follow the links. You can report non urgent matters via 101, and remember if you see a crime in progress or a person in danger call 999.

The gardener with 10,000 pictures

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At first glance Barry Cuff may simply be the expert veg-growing BV columnist. But eagle-eyed readers will also have spotted old pictures of Dorset are usually accredited to ‘the Barry Cuff Collection’ – editor Laura finally pinned Barry down to talk about his remarkable archive of almost 10,000 postcards of ‘Old Dorset’.
Barry Cuff – usually to be found on his allotment in Sturminster Newton – has the largest known collection of postcards of ‘bygone’ Dorset, and an astonishing memory for the pictures and stories they contain
image: Courtenay Hitchcock

“Even as a young teen in the 60s, I was always stopping in to Dorset Bookshop in Blandford – or Longmans of Dorchester if I got the chance – to see if I could find a new Dorset book I hadn’t seen yet.” Born in Blandford and raised in Winterborne Whitchurch (where he lived for 30 years), Barry was always a collector; stamps, matchbox labels, cigarette boxes… and he was always fascinated by his beloved Dorset. But in 1974 he received a gift which began his old postcards of Dorset collection.

It began with three albums
“Our elderly neighbour gave me three Edwardian postcard albums, filled with Dorset images, especially from around the Winterbornes. She’d never married, her brothers had died, and she knew I was fascinated by the old pictures, so she handed them on to me. It was fascinating to look through the albums with her – she knew everyone in them. She’d point at a person, raise her eyebrows and whisper “love child” at me… course I didn’t know what that was back then!”
Those three albums started Barry on the journey to collate probably the largest existing collection of old
postcards of Dorset. He started off by spending his spare time hunting for them in junk shops:
“I used to pay 20-30p a card. At 50p I walked away – far too much!”
When postcard collecting became more popular, it was a double-edged sword “all of a sudden there were fairs popping up, and I could go to Bristol, Brighton, Cheltenham, Twickenham… but it did mean the prices went up too!”

So what is it about postcards?
“It’s not just the photographs themselves, though they’re always the main interest, of course.
There are the stories around the photographers too – Nesbitt from Blandford who photographed locally between 1890 and 1920. Chapman who came up from Devon and only photographed Sturminster Newton, Lyme Regis and Wimborne Minster; the late Victorian French brothers who came across the channel to photograph the whole of the south coast; Clarke from Sturminster Newton, who never got his fixing solution right so all his postcards are very faded now… And of course the ones which have actually been written on have their own story to tell”

Lost conversations
Many of the postcards were sold for locals and tourists simply to add to their own picture albums in the days before everyone had a camera of their own. But many were also sent in the post, giving tantalising glimpses into past conversations (although being England, Barry acknowledges many of the postcard messages are spent discussing the weather…):

“we shall be very pleased to see you Monday next. Come to supper if you can. MRW.”
(July 26, 1910)

or – in Mr Mitchell’s case in Shroton – to complain:

“Dear Sir, I do not think your 2 lots of wheat quite good enough for me. If you have anything better would buy them at market price.” (Nov 22nd 1902)

I presumed with almost 10,000 images currently in his collection, there must be a state of the art filing system to keep the archive organised and easily accessible?
“Well… they’re in albums? I do have individual albums for each of the main towns – Poole, Stur, Weymouth, Portland, Blandford etc. And other albums are grouped by area.”
So how does Barry ensure he doesn’t duplicate a postcard when he goes to a fair?
“Oh, I remember them, pretty much. I’m not saying doubling up hasn’t happened – probably about 15 times over the years…”
Fifteen times he’s duplicated an image, in 50 years of collecting almost 10,000 postcards, based on just his memory? Barry looks nonplussed by my bemusement at this (I have trouble remembering what film I saw last week…):
“I just… remember them.”

At £40, this is the most expensive postcard Barry has purchased – it was taken by Nesbitt, and is of Lord Portman’s prize cattle

The day job
Barry’s lifelong career as a Seed Analyst began by accident – introduced to the owner of local agricultural company Blandford & Webb by the father of a friend, Barry started as a 16-year old, not actually knowing what a seed analyst was. He trained at the National Institute of Agricultural Botany in Cambridge, and has
spent his life running a lab, visiting Dorset farms, growing, assessing and certifying seed. He has been involved in bean breeding, and was responsible for multiplying ancient Spelt and Einkhorn seeds for the Eden Project.
Despite passing official retirement age Barry is still working for Sherborne’s Pearce Seeds “who wants to retire?”.

Barry’s favourite postcard – it has sentimental value as a friend of his father gave it to him. It is of the ‘Post Office, Owermoigne’

Barry the lawbreaker
Barry was great friends with Rodney Legg, the late campaigner, author and publisher, and joined him on
many adventures through the 70s as Rodney led the campaign to restore public access to the army-occupied Lulworth Ranges, including the village of Tyneham (evacuated by the War Office in 1943 and never returned to its former residents).
“In 1974 we announced that‘Tyneham Post Office had re- opened’. Rodney took some pictures which we had made into postcards. We opened up all the barbed wire on the Bank Holiday weekend and sold them from the old Tyneham Post Office. Loads of people showed up… as did the Army and the Police…” An unrepentant Barry grins at the memory.
Known as the Tyneham Action Group (later known as The 1943 Committee), the campaign eventually resulted in access to ten square miles of land that were also secured from being ploughed or developed.

View the collection
If you’d like a peek into the Barry Cuff Collection, a good place to start would be his books in partnership with author David Burnett. The first (currently not available – worth hunting for) is Lost Dorset: The Villages & Countryside 1880 – 1920, containing 350 photographs chosen from Barry’s remarkable collection, few of which have been published before. This was followed up at the end of last year by Lost Dorset: The Towns. Again, few of the 375 postcards chosen for this book have been published before, and they form a unique portrait of urban Dorset between the invention of the postcard until just after WWI.

Quickfire questions:
What’s the most expensive postcard you’ve bought?
£40 – it was by Nesbitt, of Lord Portman’s prize cattle (see above)
And the one you want to find?
I know there’s one of the Giant’s Head Inn, above the Cerne Giant where the caravan & camping site is now. It showed the landlady standing outside the pub, pre WWI.
Your favourite postcard?
A friend of my father gave me the postcard ‘Post Office, Owermoigne’ – because it’s from him, I treasure it (above)
The saddest?
A card of Spetisbury. The message reads ‘Mr Hunt committed suicide this morning by drowning himself.
Awful isn’t it.’

interview by Laura Hitchcock

Victorian steam meets Tudor timber | Then and Now

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The old Tudor building on Cheap Street is far more than meets the eye of the casual shopper, says Roger Guttridge.
A steamroller heads towards Abbeylands c1900. Picture from Simon Rae’s book Dorset of 100 Years Ago (1993)

It’s one of the finest old houses in Sherborne, passed daily by hundreds who rarely give it a second thought or glance. But step inside the half-timbered Abbeylands in Cheap Street and it turns into the Tardis. Not in design, of course – there is nothing even vaguely resembling a space-travelling police box – but in scale.
“How many boarders do you have?” I asked housemaster Rhidian McGuire after he explained that Abbeylands is a boarding house for Sherborne School.
“Seventy-four.” “Seventy-four?” I doubtfully exclaimed, suddenly realising that there must be far more to this
building than meets the eye. In fact it stretches back and back and back from Cheap Street, towards the main school buildings. To my architecturally uneducated eyes, the grade II-listed building looks unmistakably Tudor, but the date of 1649 above the front door confused me (the last Tudor monarch, Elizabeth I, died 46 years earlier). That construction date was also the year of Charles I’s execution, and the Commonwealth of England.
Troubled times.
The Dorset volume of Newman and Pevsner’s classic series on The Buildings of England suggests the dating is not that straightforward; the entrance porch includes features “that one would call Jacobean, and a hoodmould which looks Early Tudor”. “That must surely be reused,’ say Newman and Pevsner, adding that
the porch “must have originally belonged to the next-door house”. The Old Shirburnian website provides further illumination, confirming that Abbeylands – so named because it stands within the precinct of Sherborne Abbey – is a combination of two separate properties. It has been in continuous use as a boarding house since 1872, and staff and housemates are celebrating the 150th anniversary this year.

A similar view of Cheap Street and Abbeylands today

Sherborne School originally rented Abbeylands from the descendants of former headmaster John Cutler
and bought it in 1921 for £4,187. The Old Shirburnian site also confirms my suspicions of a Tudor connection, adding that the half- timbered frontage on to Cheap Street ‘dates from the late 16th century and has a projecting upper storey and three gables’.
The premises were at one time occupied by the Sherborne Coal, Timber, Corn and Cake Company, which was dissolved in 1921. I wonder if the steamroller powering up Cheap Street in this circa 1900 picture was about to pick up some coal from the shop. These days you can only drive down one-way Cheap Street and
you’re unlikely to spot a steam- powered vehicle.

The tale of the runaway rector | Looking Back

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There’s nothing like a naughty vicar story to set tongues a-wagging, and the Rev W M Anderson certainly did that, says Roger Guttridge.
Mrs Axford, who left her husband and two daughters in 1912 to elope with the Rev. Anderson, rector
of Durweston and Bryanston

The rector of Durweston and Bryanston was already low in diarist Julietta Forrester’s
stimation, and when he eloped with a parishioner, his reputation went through the floor.
“Received a letter from Mrs Oborne saying that Rev W Anderson had gone off on Wednesday with Mrs Axford, Lord Portman’s coachman’s wife,” Julietta noted on January 25, 1912.
“There had been talk about them for some time. He said he had loved her for 17 years! It seemed incredible!
”‘I never thought of Mrs A behaving so but Anderson was bad enough for anything! I believed he had sold his soul to Satan over the Durweston Ghost!”
This was a reference to Durweston’s headline-making poltergeist, the subject of this column in our October issue. Anderson was among those who took the spooky events of 1894-95 seriously, unlike the sceptical Mrs Forrester. Even before the poltergeist, Julietta – wife of James Forrester, agent for Lord Portman’s Bryanston Estate – was not enamoured with the rector.

Lord Portman was disgusted
After his first service at Bryanston in 1893, Julietta wrote: “I liked his appearance and voice. I wish I had liked his sermon.” In 1895 she complained that Anderson was neglecting the Bryanston half of his flock. And when Durweston and Bryanston played Blandford at cricket that same year, she commented that “our rector,
Mr Anderson declined to play because he was afraid of the weather!” It appears that God was not on their side either.
After Blandford declared their innings at 300 for 9, the Durweston and Bryanston XI were skittled
out for 70. Fast forward 17 years to 1912. On February 3, Julietta noted that Lord Portman was “very
disgusted” with Anderson ‘after all he had done for him, paying for him to go abroad etc”. She added: “About two years ago, on hearing of the intimacy between Anderson and Mrs Axford, Lord P spoke to the former about it but A denied all the charge.”
Anderson’s more charitable parishioners might have forgiven his inability to resist the lure of love but less
forgivable was the theft of his curate’s pay packet, and money from the Coal Club fund to finance the elopement. He had also “left his wife his mother and his sister destitute”, according to Julietta.

Cuckolded James Axford, a diminutive man of less than 5 feet in height, was Lord Portman’s coachman and known as a fine horseman

No welcome in Halifax
Her diary continues: “Axford had spoken to Lord P about a divorce but as he had actually seen his wife off by train when she left him (because people should not say they had parted bad friends or that he had
driven her from home!), Lord P told him he had connived at the elopement and therefore would be unable to obtain a divorce. “The two [Anderson and Mrs Axford] had first gone to Halifax to her brother’s but he refused to take them in and where they went then did not appear to be known.”
Two years before his death in 2014, Pete Sherry, a grandson of James and Mrs Axford, told me the hostility to the runaway couple was such that a crowd threatened to tar and feather them as they waited on the
platform at Blandford station. Pete, of Maperton, near Wincanton, confirmed Julietta’s claim that they were turned away at Halifax and added that they then spent six months at the Pump House in Bath.
According to Julietta, Mrs Axford made a brief return to Bryanston hoping to collect the younger of her two daughters, Constance. The child refused to leave. “I suspect Auntie Con hung on to my mother and said she
wouldn’t go,” Pete told me. On February 17, Julietta noted her fear that Anderson would continue drawing his
rector’s stipend as long as he was ‘let alone’.
She added that his ‘unfrocking’ would be costly and had to go through the ‘Court of Arches’.

A quiet end
From Pete Sherry, I learned that after leaving Bath, the elopers went to Montreal, where Anderson eked out a
living as an artist. After his death just seven years later, Mrs Axford worked as lady-in-waiting to the Molson
family, owners of North America’s oldest brewing company.
She eventually returned to England with a substantial pension from Molsons of £7 10s a week. She lived in
Worcestershire until her death aged 98. James Axford, a diminutive man of less than 5 feet in height, retired in 1923. He subsequently lived with his elder daughter, Winifred, and her family at West Orchard and later Maperton, where he died in 1936 and was buried in the churchyard in an elm coffin made by his own hand.
Pete recalled: ‘He was a terrific horseman and taught me to ride ponies.
“He never talked about my grandmother. He was very strict about that and paid a solicitor to make sure she never got in touch with the family.
“We used to get dollars from ‘Auntie in Canada’ and I guess that was my grandmother.” After James Axford’s death, his estranged wife was accepted back into the family, being introduced not as Winifred’s mother but as ‘Auntie’.
• Roger Guttridge’s book Dorset: Curious and Surprising includes chapters on The Runaway Rector and
The Durweston Poltergeist.

by Roger Guttridge

Take a trip to the North America Nebula

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The equinox on March 20th is a sad day for stargazers as that’s when days become longer than the nights, says expert Rob Nolan. But there’s still lots of astral excitement to observe.
NGC7000

Spring is starting to make some appearances, marking the end of a rather cloudy and dull autumn and winter! If you’ve started to take up star gazing recently, you’re probably starting to notice that we seem to get the clearest spate of night skies during a full moon! This is rather troublesome for us astrophotographers, as this makes it more challenging to capture the clarity we want from the blackness of space. However, for observing the lunar surface, there have been some very good seeing conditions; do get out and take a look.
This month, I thought I’d take you to North America … well, the nebula anyway, which is considerably further away than the North American continent! The North America Nebula (NGC7000 or Cadwell 20) is an emission nebula in the constellation Cygnus. The shape of the nebula resembles that of the continent of North America, complete with a prominent Gulf of Mexico.
The portion of the nebula resembling Mexico and Central America is known as the Cygnus Wall which is seen toward the bottom of the image. This region exhibits the most concentrated star formation.
On 24th October 1786, William Herschel, observing from Slough, England, noted a “faint milky nebulosity scattered over this space, in some places pretty bright.” The most prominent region was catalogued by his son John Herschel on 21st August, 1829. It was listed in the New General Catalogue as NGC 7000. In his study of nebulae on thePalomar Sky Survey plates in 1959, American astronomer Stewart Sharpless realised that the North America Nebula is part of the same interstellar cloud of ionized hydrogen (H II region) as
the Pelican Nebula, separated by a dark band of dust, and he listed the two nebulae together in his second list of 313 bright nebulae as Sh2-117.
This image was taken in December last year using Altair 70-EDQ-R Pro Refractor Telescope and Cooled Astro Camera. More thean seven hours of total integration time reveal the most prominent details.

The night sky, April 2022 – Rob’s tips for your stargazing this month:

With Winter now officially over, it’s a race against time to maximise how long we get under the stars
as the dark nights begin to recede. Three bright stars dominate the spring skies: Leading the way we have Regulus in Leo, then Spica in Virgo is to the lower left, and finally the unmistakable orange glow of Arcturus in Boötes. One of the best constellations to look for this month is Leo (the lion); one of those rare constellations that actually resembles the imagery it is named after – in this case a crouching lion.
The star Regulus marks the Lion’s heart, and using a small telescope you can pick out Algieba, which makes up the Lion’s shoulder. Using the telescope, navigate to the beast’s underbelly where you’ll find a clutch of spiral galaxies.
There’s also some great planetary action this month in the dawn skies, with Mercury’s best display in the evening towards the end of the month.
Starting early on in the evening of the 4th to 5th, the crescent Moon passes by the Pleiades and Aldebaran. For early risers, also on the 5th before dawn Mars will pass below Saturn to the right of Venus.
On the 24th to the 27th before dawn, the crescent Moon passes below the planets Saturn, Mars and
Venus. Look towards a clear horizon in the east, and use binoculars to get an even better view.
On the 30th April, Mercury passes the Pleiades in the Northwest.

Meteor shower
The big event this month has to be the Lyrid Meteor Shower, on the night of the 21st to 22nd. It promises to be an excellent year for observing the maximum of this display, due to the fact that the Moon doesn’t rise until 3:30am. Make sure to be ready if the skies are clear on the 21st April – look towards the constellation Lyra in the north east skies as the debris from Comet Thatcher burns up in the atmosphere which will leave a glowing trail of dust.

by Rob Nolan – Find RPN Photography on Facebook here

An Almshouse is available | Sir Anthony Ashley Almshouses

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Sir Anthony Ashley Almshouses Wimborne St.Giles Dorset BH21 5LZ

An Almshouse is available for a single person who is, or close to, retirement age and in need of accommodation.

The Almshouse is one of five properties that is part of a Grade 2* listed building in a beautiful location. The ground floor accommodation is suitable for independent living and comprises of a bed/living room, kitchen and shower room. There is a rear garden and a small, cobbled area to the front of the property. There are no wardens for the properties.

An application form is available from Hazel Garland, Clerk to the Trustees, Shaftesbury Estate Office, Wimborne St. Giles, Dorset BH21 5NA. Telephone number 01725 517214 or contact [email protected]

FORM in flow

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FORM 2022 is now live at Sculpture by the Lakes, where more than 200 inspirational works by 30 leading contemporary sculptors await discovery in this countryside idyll.
Carl Longworth’s Barn Owl II

When it opened on March 30, FORM 2022 transformed this delightful sculpture park, at Pallington Lakes east of Dorchester, into a nationally significant sculpture hub.
Building on the success of 2021’s inaugural FORM exhibition, there is even more to see this year, with a curated collection of large scale and monumental work dotted across 26-acres of gardens, woodland trails, river and lakes, as well as smaller pieces showing in Gallery by the Lakes.
Among the eye-catching new works are those by the late Heather Jansch, celebrated for her sculptures of horses created from driftwood, as well as Barn Owl III, a striking 2.5m piece by talented young British sculptor Carl Longworth. Figurative works by award-winning sculptor Ed Elliott, and Jonathan Hateley, whose pieces are notable for their rich natural textures, are also showing for the first time at this year’s event, along with a new ‘ballerina’ sculpture by Simon Gudgeon, the founder of Sculpture by the Lakes and himself a globally-renowned sculptor.
He said: “It is so exciting to bring together works of exceptional quality in this special setting; here they
are in scale with their environment and all their power and beauty can be experienced.”

Heather Jansch’s sculpture ‘Clover’

Visitors can also stop into Café by the Lakes, where the seasonal menu is created from produce grown
in the park’s kitchen garden, and visit The Artisans’ Bazaar and newly-opened Artisan’s Pantry, with their ranges of hand-made pieces and small-batch food and drink from local producers – you can even build your own picnic to enjoy in the grounds. The final five days of FORM from May 25 to 29 will also include The Garden Festival, featuring the Fire and Food Festival, celebrating everything to do with the garden and outdoor living and dining, with stalls, speakers and live fire cooking in the outdoor kitchen.
Tickets remain just £12.50 –the standard price of entry to Sculpture by the Lakes. With a daily cap on visitors it’s best to book early – see https://www.sculpturebythelakes.co.uk/