Take a look at the life of Dorset farrier Sam Wilkes and you will believe horseshoes really are lucky. Tracie Beardsley reports
With his mobile forge, Sam travels to his clients; horses – from Shires to Shetlands – and occasionally sheep, donkeys, goats and alpacas too! All images: Courtenay Hitchcock
I think I’m in Shillingstone, just outside Blandford, but either the satnav’s misled me or I’m at an American ranch. No matter – always a sucker for cowboy films, arriving at what could be the set of a Western has me swaggering like John Wayne. There are ranch-style corrals with sandy floors and wooden railings. A beautiful stallion is whinnying in the distance. Up on the ‘mountainous’ hillsides (from where my imaginary Magnificent Seven would gallop) are smart log cabins and Pioneers luxury wooden lodges. Even these glamping rentals have names that nod to the wild west – names like Goldpanners, Ranchers and Trappers.
‘My first client was just two years old and had awful feet. She’s now eight and competing. It’s so satisfying watching a young horse grow and know you’ve helped it.’
It might be freezing outside, but in a cosy barn are sheepskin rugs to keep your knees warm, along with pommel saddles and cowboy hats – and brilliant black and white photographs of rodeo riders on the walls. Even on a dark and dismal winter’s day, this setting is special. No wonder Dorset farrier Sam Wilkes describes it as his ‘dream place’. Sam, 27, and his wife Yasmin moved to aptly-named ‘Loose Reins’ in 2020. ‘We were looking for land for our ten horses. Coincidentally, I used to bring my sister riding here a long time ago. After seeing it was up for sale, we just knew we had to go for it. We’d wanted to build something just like this and here it was, ready for us to move in.’ Sam runs his farriers business, Purbeck Forge Ltd, while Yasmin, a successful equestrian dressage competitor, uses the former Western-style riding school to teach dressage. Post-COVID, they’re also busy building glamping opportunities – the idyllic lodges are let for most of the year now.
Sam Wilkes
And if that’s not a big enough workload, they’ve chickens, dogs, sheep, goats and 13.5 acres to tend, plus the joys of an 18-month old daughter (who already has two Shetland ponies). Multi-tasking is the answer and Sam’s adept at simultaneously walking the dogs and the Shetlands and pushing Millie in her pram! Look back at Sam’s childhood and working with horses seems inevitable. His mum ran a riding school in Studland and as a youngster, Sam was hooked on horses. ‘I’d watch the farriers and was fascinated,’ he says. At the age of 18, Sam was studying horse anatomy, blacksmithing and farrier skills at Moreton Morrell College in Warwickshire. ‘The two disciplines are very different,’ explains Sam. ‘Blacksmiths specialise in metalwork. Farriers specialise in horses, making horseshoes and shoeing horses. A farrier can be a blacksmith but a blacksmith can’t be a farrier.’ Sam was apprenticed to a Winchester farrier, returning to college every six months for his exams. Five years later, he achieved his DipWCF (Diploma of Worshipful Company of Farriers) and became a registered farrier. Now, with his mobile forge, Sam travels to shoe horses – from Shires to Shetlands –and occasionally trims the feet of sheep, donkeys, goats and alpacas too.
Sam studied horse anatomy, blacksmithing and farrier skills before securing a five year apprenticeship, achieving his diploma of the Worshipful Company of Farriers (DipWCF).
He says: ‘The animals are more relaxed if you can shoe them in their own environment.’ The equipment is high tech but the farrier’s skill has changed little since Roman times. ‘I still use nails mainly but you can glue the shoes on in certain cases. I will use factory-made horseshoes but still make some of my own.’
Sam will use factory-made shoes but also still makes some of his own
A boot rack and a stunning garden bench, both made out of spare horseshoes, show Sam’s creative flair. ‘As an apprentice, I used to make horseshoe ornaments and sell them for a bit of money.’ Sam works four days a week as a farrier – it was seven before he bought Loose Reins. ‘I’m looking to the long game, so I want to pace myself. It’s a very physical job and horses are powerful. I’ve had some scrapes but no serious injuries. Most farriers end up with bad backs because of the bending over. ‘This is more than a job, it’s a passion. My first client was just two years old and had awful feet. She’s now eight and competing. It’s so satisfying watching a young horse grow and know you’ve helped it. ‘Eventually I’d like to work abroad for a farrier charity such as The Flying Anvil. They send farriers to countries such as Ethiopia and India to share horse welfare skills and knowledge.’ It looks like Sam’s lucky horseshoe charm will spread further than Shillingstone.
The farrier’s skill has changed little since Roman times
During the past 15 years, Kirill Karabits has built a reputation for exciting and adventurous programmes for the BSO. Fanny Charles reports
Pic: Corin Messer Photography
Tel: 07803 933014
The Ukrainian-born conductor Kirill Karabits will end his tenure as chief conductor of the Bournemouth Symphony Orchestra (BSO) in summer 2024, after a remarkable 15-year partnership. But the relationship, which has been so successful, will continue, with Karabits becoming the BSO’s Conductor Laureate and artistic director of the Voices from the East programme. Karabits is the BSO’s second longest-serving chief conductor after its founder, Sir Dan Godfrey. His partnership with the orchestra has seen a wide growth in its repertoire, with cycles of Beethoven, Brahms and Prokofiev, UK premières of works from CPE Bach to contemporary music from Azerbaijan, and music from eastern Europe and Ukraine through the Voices from the East programme. Under Karabits’ adventurous leadership, the orchestra has commissioned music from composers including Franghiz Ali-Zadeh, Anna KorSun and Mark-Anthony Turnage.
Beyond the expected The Voices from the East series of music from the Ukraine and beyond has come to define Karabits’ recent years with the BSO. Through performances – and recordings for the Chandos label – the orchestra’s audiences have been introduced to music from Armenia, Azerbaijan, Turkmenistan and the Ukraine, by composers including Kara Karayev, Boris Lyatoshynsky, Chary Nurymov and Avet Terterian. Last year, The Times suggested that, thanks to the series, “music lovers in Dorset may now be the most knowledgeable in the western world about the symphonic pieces of eastern Europe and central Asia.” This spring, the orchestra will record the music of Ukraine-born Fyodor Akimenko for Chandos. Karabits’ other BSO recordings include releases on Decca, Onyx and Naxos, ranging from a complete Prokofiev symphonic cycle to concerto recordings with James Ehnes and Nicola Benedetti, and premiere recordings of Ivan Karabits, Valentin Silvestrov and Rodion Shchedrin. He says: ‘I have never forgotten my first encounter with the BSO. I immediately felt this was a very special group of musicians, and, artistically, we have continued to grow together over the last 15 years. It feels like a home from home — and never more so than during these last few years, where this community has been of great support. The warmth, friendship and open-minded approach here is very special.’ Dougie Scarfe, the BSO’s chief executive, describes Karabits not only as an outstanding conductor but also as ‘a musical detective unlike any other. His creative influence has defined the modern BSO – his understanding not just of the music, but of that magical relationship between music, musicians and audience.”
The BSO moves to Yeovil The news follows hard on the heels of an announcement that the BSO will have a new Somerset residency at Yeovil’s Octagon Theatre, when the theatre reopens at the end of 2024, after a £29m transformation, to become a flagship cultural venue for the South West. Local audiences will have access to more symphonic performances by the BSO as resident orchestra, with its international conductors and soloists, alongside family-friendly BSO On Your Doorstep concerts, workshops and events. Octagon theatre manager, Adam Burgan said: “I am absolutely delighted that we can announce this partnership with the amazing Bournemouth Symphony Orchestra. As one of the UK’s best loved orchestras it will be fantastic when they make the Octagon Theatre their new home in Somerset.” Meanwhile the BSO’s relationship with Artsreach, Dorset’s rural touring charity, continues this year with BSO On Your Doorstep concerts at Marnhull village hall on Sunday 12th February at 3pm. The programme will be a Spring Serenade by a flute, harp and cello trio, with music from Bach to Joni Mitchell, plus works by Elgar, Ibert, Schubert and Bizet.
Blandford farmer George Hosford abandons the stats and checks his crystal ball to see if his profit calculations will be accurate this year
Flowery strip in a field of spring barley, hopefully it will be a source of beetle and aphid munchers.
Below left is a screenshot from a clever app which helps us to analyse the outcome of various tramline trials we carried out on the 2022 crops. The yellow/green pattern represents the yield map generated by the combine while harvesting – green is better yield than yellow, with orange and red being progressively worse than yellow. The app – called Climate Fieldview Cab – is from Bayer, one of the big agrichem companies. Love them or hate them, they have the resources to develop clever stuff like this; it’s not always just more chemicals.
The app allows you to select any area of the field you like, or individual passes of the combine, and then tells you the area and yield on that part of the field. So where we have applied a treatment to a particular part of a field – alternate tramlines in this case – we can then measure the effect of the treatment on yield. The blue pins represent where the tramlines are; I simply walked across the field and added each one in the right place. This helps you to choose the right passes to include in the analysis, and to ignore the ones which run across two treatments.
In this field we were testing a product which is supposed to reduce the amount of nitrogen lost to the atmosphere by converting nitrogen oxide into plant feed. You can see we found no significant difference in yield between tramline treatments. Elsewhere on the farm we wanted to test our nitrogen fertiliser policy on wheat, so we chose a single tramline in each of four different fields and applied an extra 40kg of nitrogen, then measured the difference using the app. We found that the extra 40kg produced extra yield between five and eight per cent. If you haven’t already dozed off, you may now be asking “so what, it all depends on the value of grain and the cost of the fertiliser” and you would be quite right. It also depends on when you sell the grain and when you buy the fertiliser, and whether you have to borrow the money to do so … A fair bit of number crunching and crystal ball gazing then needs to happen in order to decide the right approach for next season. We have already committed to buy next year’s fertiliser, at eye-watering prices. To leave it longer would have been reckless as we might not have been able to secure supply at all. But we are now very dependent on the grain price holding up to make the figures work and for crop growing to remain profitable. The trouble is that over the last six weeks the price of wheat has fallen £50 per ton. That’s making a huge difference to predicted margins, and right now we are not looking so clever (the same as very many other farmers). Anyway, we have the fertiliser in stock and we don’t have to use it all if calculations suggest it won’t pay. We could hold some over for the following year. In any case, we have already had to pay for it a year before we will see any return from selling the grain it generates.
Welcome to the roulette wheel of farming. The old joke goes “How do you make a million from farming? Start with two million.” In some sectors, like pigs, poultry and horticulture, that is absolutely the case right now, with energy costs, labour shortage and the intransigence of retailers leading to producers saying “stuff this for a lark, I am not risking another production cycle when the prospects guarantee huge losses”. They aren’t placing orders for new egg-laying chicks, productive sows are being slaughtered and not replaced, and the horticulture and protected (under glass) sector is reducing output after two years of 30 per cent of unharvested crops, due to lack of labour. The fear is that these producers won’t come back, making the UK ever more dependent on imported food, the opposite of what every food shopper says they want. The picture on the left illustrates part of the problem. Why does anyone need to import near-identical overseas products when we produce them here?
Unfriendly destination? Our production costs are higher even than Europe because of tighter welfare and other regulations and we are now having to pay more for labour thanks to having become an unfriendly destination to foreign workers. So can anyone explain why we need to import Dutch, German or Danish pork loins? They are all the same price on the shelf. There only seems to be one likely outcome – answers on a postcard please.
And then there are sheep The above picture shows why we still keep a few sheep. In farming terms they are unproductive, they can denude a landscape with their persistent nibbling, they attract every ailment you can imagine, they get hopelessly stuck on their backs in hot weather, they get stuck in brambles in any weather. Their wool, once the mainstay of our nation’s productive output, and despite its undeniable magical properties, is now a valueless annoyance, and their meat … well, if you can find any among the bones and fat then you are cleverer than I. However, they do make excellent pets. You can leave them outdoors all year round, they can survive on very little food and don’t drink much water, and you can turn up in the field with a group of tiny schoolchildren and the sheep will gallop towards you in search of titbits. Once the toast has been distributed most of the sheep wander off, but the best ones remain to entertain the children in the gentlest fashion. The children are mostly fearless, and the sheep reward their bravery with great patience.
The BV first featured Barry Cuff’s collection in The Gardener with 10,000 postcards in April 2022. In the first of a new series, the local postcard collector – and The BV’s allotment columnist – shares a selection of images from his archive. This month Barry has picked the French photography and publishing firm Levy & Sons LL.
Wimborne High streetPortland Harbour
French company Levy and Sons first produced postcards for the Paris Exhibition of 1900, and by 1901 they were selling postcard views of Paris, Boulogne and other French channel ports. In 1904 the company sent photographers to England, where they photographed views of the South Coast and London. In Dorset they covered Swanage, Corfe Castle, Wareham, Wimborne, Weymouth and Portland. All the cards were numbered, and the postcards were ready for sale in 1905.
New organiser James Cox tells editor Laura about his plans for the county’s great agricultural country show in 2023
James Cox
James Cox will be a familiar name to many in North Dorset, having run the Gillingham & Shaftesbury Show for the past four years. He has now taken on a new role as show secretary of the annual two-day Dorset County Show. ‘It’s an exciting opportunity,’ says James, ‘but in a way it feels like coming home. My family farms near Dorchester, it was our local show and I have been involved with it as a volunteer for as long as I can remember. ‘It feels appropriate to be starting the new year with a fresh look at the show – quite simply, we’re going to make it a brilliant showcase for Dorset rural life, both agriculture and countryside.’ The show may have a long history, but James is determined not to let it rest on its reputation; he is already deep in plans for 2023 and has been listening to feedback from last year’s visitors.
‘The big news this year is that we have the world’s biggest monster trucks coming to the main arena on both days of the show. We’re really proud to have secured them. But just as important as the big attractions are the basics of the show. We’re looking at toilets, car parking, layout. We have introduced a new food and drink area which will be a large (some might say ’gurt big’) comfortable area to get something to eat, where the catering will focus on Dorset food and drink – we want people to be buying burgers from Bridport, not Bookers.
SONY DSC
‘We’re introducing a Woodland Area for the first time, where the Dorset Axemen will be demonstrating their forestry skills, along with various carvers and woodworkers showing traditional rural crafts. ‘We’ve also increased the trading area to allow more variety – the artisan crafts will extend outside the marquee this year. ‘Of course, we’re not losing the educational farming demos in the Fabulous Food and Farming Area, and the show wouldn’t even exist without the competitions in livestock, horticulture, equestrian and homecraft. The team never forgets that at its heart it is an agricultural country show – traders and visitors alike come together for a brilliant celebration of Dorset.’ Gate prices will remain the same this year at £23, but the team has introduced new ticketing options which mean greater savings. If you purchase before the of January, the cost is just £15. Watch the show’s social media for updates!
Following our success in gaining Lottery Funding we are happy to invite applications for the following two roles based at our Farm Site in Holnest just south of Sherborne Dorset.
1: Project Lead – Rural Remedies: Planting Seeds to Strengthen your Future
You will be leading on the planning and delivery of therapeutic mentoring sessions to individual young people primarily aged 8 to 13 years. There will be some group work and social activities to help build friendships and positive peer to peer communication.
Full time 3-year Fixed Term Contract, Up to £15 per hour (depending upon experience) for 35 hours per week. There will be a need to work flexibly.
2: Youth Ambassador Co-ordinator
The purpose of the position is to offer young people who attend or who have attended Future Roots in any capacity to have the opportunity to have their voices heard. To disseminate their thoughts and feelings to stake holders in order to make changes to the systems that impact on young people’s lives including Future Roots.
Part Time 3-year Fixed Term Contract, Up to £15 per hour (depending upon experience) for 7 hours per week. There will be a need to work flexibly
For an informal discussion about either role please contact Julie Plumley (Director) on 01963 210703 or [email protected]
To Apply please supply a CV and a completed Application Form by 6 p.m. on 26th January 2023.
Friday Lunchtime Recitals 1.45pm Cheap Street Church (unless otherwise stated) FREE ADMISSION ALL WELCOME!
13 January – Woodwind I 20 January – Instrumental Soloists 27 January – Strings 3 February – Pianists 10 February – Instrumental & Vocal Soloists 24 February – Brass 3 March – Wind Band (BSR, Sherborne School) 10 March – Instrumental & Vocal Soloists 17 March – Woodwind Il
January issue out now – and it’s crammed with brilliant local people talking about really brilliant local people, plus some of the most amazing photography from our readers. Grab a coffee and have a flick through…
Some quick highlights:
Rupert Hardy, chairman of the North Dorset CPRE, takes a look at the case for large Dorset solar farms in our fields vs. solar panels on roofs – P.6
Could there actually be an economic case for ploughing a motorway through Dorset? Andrew Livingston ponders the question – P.72
There’s six pages of local history, including the inside story of Britain’s ‘most haunted manor’ at Sandford Orcas, and in a new column we gain an exclusive look into the world’s largest collection of Dorset postcards, with some rarely seen before images – starts on P.42
Prices may be falling and mortage lenders nervous – but house hunters are still looking to move. A round table of local experts takes a look at the Dorset housing market in 2023 – P.14
Take a deep breath of calm as you move slowly through the six pages of reader’s photography this month – the standard is astonishing and there was a genuine battle for the front cover. Did we get it right? – P.72
New organiser James Cox talks exclusively to editor Laura about his plans for the Dorset County Show in 2023 – P.11
Take a look at the life of Dorset farrier Sam Wilkes and you will believe horseshoes really are lucky – P.20
Plus there’s the all the Dorset food and drink, the oddly soothing gardening (I do not grow vegetables. But I would never miss Barry Cuff’s allotment column), fascinating Dorset wildlife, the farming section will really make you think… why wouldn’t you have a flick through?
(Quick reminder – we’re NEVER PRINTED. The only way to read the BV’s jam-packed goodness is right here online)