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Time to lathe about

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Self-taught wood-turners Peter Thomas and Trevor Ball tell Tracie Beardsley how they have turned retirement into a new career

Peter Thomas bought a second hand lathe when he retired from farming. Now 84, he has a successful second career.
All images: Courtenay Hitchcock

When octogenarian actors Derek Jacobi and Clint Eastwood worked together on the drama Hereafter, Jacobi asked Eastwood how he coped with age. Eastwood famously replied: ‘Don’t let the old man in!’
In a tiny village in Dorset, talented 84-year-old Peter Thomas and 70-year-old Trevor Ball are keeping the old man well and truly out.
Former colleagues on Rampisham Manor estate, Peter as farm manager for 15 years and Trevor as gamekeeper and woodsman for 20 years, both are retired and now work happily every day on their “addiction’’ – woodturning and stick dressing.

Peter Thomas in his workshop


Although they never intended to set up a business, both men now have a hugely satisfying second career.
In his charming 17th century cottage in Rampisham, Peter has a gallery of their stunning creations. On display are beautiful bowls, begging to be touched, alongside lampstands and ornaments that would take pride of place in any swanky London gallery.

Peter Thomas learned the skill of stick dressing from his grandfather


There are exquisite walking sticks with ornate heads fashioned from ramshorns and sika deer antlers. The art of stick dressing, a carryover from when countrymen made their own shepherds crooks and walking sticks, is practised by Peter, who was taught the skill by his grandfather.
He says: ‘The day after I retired from farming, I saw a second hand lathe advertised. I bought it and for the next few weeks, all hell let loose! Eventually I taught myself how to use it properly and began woodturning.
‘I became completely hooked. I had a workshop built in my garden and then bought a top-of-the-range “big boy” lathe with some of my retirement funds.’
Trevor shares Peter’s addiction. His cottage is near Peter’s and he’s converted part of his kitchen into another Living Wood gallery.

Trevor Ball, the second half of Living Wood, is a retired gamekeeper and also a self taught wood turner

Trevor says: ‘I learned a lot by watching Peter wood turning, which is an art in itself. He’s ambidextrous, switching effortlessly from one hand to the other while the lathe is turning at a furious speed.
‘Like Peter, I bought a shed and a lathe. I started by making bowls and became totally hooked. Wood captures you and draws you in. I finished as a gamekeeper on the Friday and on the Saturday I was exhibiting as part of Dorset Arts Week!’

Trevor Ball’s hands at the lathe

We go where the wood takes us
This companionable double-act of self-taught heritage craftsmen are now award-winning exhibitors. They display at county shows across the south west, as many as 60 days of fares and events in a year. Both are also leading lights in the Dorset Art and Crafts Association and the Dorset Coppice Group.
Peter and Trevor use solely locally-sourced wood for their creations. “In this day and age we are so quick to discard anything that isn’t perfect,” says Peter. ‘We use dead, diseased and storm-damaged wood. When we begin wood-turning, there’s no preconceived ideas about what we’ll make. The natural edge of the wood evolves on the lathe. We go where the wood takes us.’

A small sample of the products made by Trevor and Peter from locally-sourced dead, diseased and storm-damaged wood


Peter, calling himself a Luddite when it comes to technology, has also set up a successful online shop. ‘Just this week, I’ve posted walking sticks to Poland, America, and France’, he tells me. Trevor had one couple from Boston buy 14 pieces of his work to take home. ‘That’s a real compliment as there are a lot of good turners in America where it’s seen as much more of an art form,’ says Trevor.

Peter Thomas demonstrates the raw horn he starts with for his stick dressing, beside the finished product

Wives Sarah and Jenny are happy woodturning widows! Trevor says: ‘You lose track of time, finding yourself lost in the zone. Both our wives are always asking us if we’re coming in for dinner!’
Peter adds: ’Jen would go mad if I was in the house all day. I’m sure I wouldn’t be alive today if I hadn’t started this hobby when I retired. Woodturning gives second life to a tree that has already lived for a few hundred years. We won’t outlast our creations, but making them has certainly given us a similarly new lease of life.’
Follow Peter and Trevor on Instagram as PeterLivingWood,
on Facebook as RampishamTurner,
or view the online shop on the website peterthomaslivingwood.co.uk.

Trevor Ball (left) and Peter Thomas outside the workshop in Rampisham

Quick fire questions
Trevor:
A-list dinner party guests?
Ukrainian President Volodymyr Zelenskyy – and Peter (he’d be at the head of the table).
Peter:
What book are you reading?
I’ve got piles of books everywhere! The Wisdom of Trees by Max Adams is top of my pile.

Marion du Mont

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Passed away on 1/12/22 age 77 at her daughter’s home in Oxfordshire.

Her Funeral will take place at 12.30 on 16/12/22 at St Agatha’s Church Brightwell cum Sotwell, OX10 0RU.

All welcome to attend.

No flowers but donations to the Woodland Trust in their place please may be sent c/o Howard Chadwick Funeral Service 33 Benson Lane Crowmarsh OX10 8ED or made online via www.chadwicksfuneralservice.co.uk

TV presenter Alice Plunkett takes on the Random 19 questions

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North Dorset resident Alice Plunkett is one of the leading horseracing presenters for ITV. She is a former eventer and National Hunt jockey herself – beginning with local point to points which led to her riding in the 1993 Fox Hunters’ Chase at Aintree. She was just 19 and riding Bold King’s Hussar, bred by her grandfather. It was only her fifth ride on a racecourse and she finished fourteenth. Alice went on to ride winners on the flat, over hurdles and fences.

Switching to eventing, she rode at Badminton Horse Trials and represented Great Britain as part of the Under 21s team at the European Three Day Event Championships. Alice is the only woman to have ridden at both Badminton Horse Trials and over the Grand National course at Aintree.
Her broadcasting career began when she became a runner on Festival Radio; she moved on to having her own show there, at The Derby and Royal Ascot. Following Royal Ascot she was asked to do a screen test for the Racing Channel, where she continued to present until it closed. Alice was on the main Channel 4 Racing team from 2001 to 2016 and then moved to ITV when they took over racing coverage in 2017 – she soon became one of the lead presenters for National Hunt Racing coverage. Alice has also been the Radio 5 Live equestrian correspondent and has hosted equestrian events for Eurosport, Sky Sports and Horse and Country. She has also presented two series of the equestrian-interest show Horse Tails on Animal Planet.
Alice is married to top eventer William Fox-Pitt, and they have four children.

  1. What’s your relationship with Dorset?
    I’ve lived here for 20 years! I’m a partner in a farm, and involved in a leading equestrian yard just outside Sturminster Newton.
  2. What was the last song you sang out loud in your car?
    Ed Sheeran’s The Shape of You. Though to be fair, singing is a stretch. Wailing would be better.
  3. The last film you watched? Oh, it was the latest Marvel movie in Dorch with the boys … Black something …
    (That’ll be Black Adam – Ed) (And actually it’s the DC Universe, not Marvel – Sub Ed).
    I nearly always get dragged to see them by 15 and 16 year-old boys and nearly always end up thoroughly enjoying myself!
  4. It’s Friday night – you have the house to yourself, and no work is allowed. What are you going to do?
    I am calling the girls round to drink vodka!
    Black Cow vodka, obviously.
  5. What is your comfort meal?
    Roast chicken.
    With cheesy leeks, roast potatoes, onion gravy and as many different veg as I can squeeze onto the plate.
    Actually, the Sunday roast at the White Horse in Hinton St Mary is amazing – I’ll happily go there for my roast chicken.
  6. What would you like to tell 15 year-old you?
    Try to put some structure into your life.
    And write lists!
  1. The best crisps flavour?
    Smoky bacon
  2. And the best biscuit for dunking?
    Digestives!
  3. What book did you read recently that stayed with you?
    The Body Keeps the Score by Bessel Van der Valk. Just so so good – it’s about trauma, and the effect it has on our adult lives and bodies.
    It’s a fascinating, insightful read that has stayed with me.
  4. What’s your secret superpower?
    Relentless positive energy!
  5. Your most annoying trait?
    I am a liability.
    I have an infuriating deep-seated belief that everything is possible. Which means I try and do far too much … In my defence I do get loads done, but I also end up dropping a lot of balls in the process.
  6. What in life is frankly a mystery to you?
    Tidiness …
  7. What shop can you not pass without going in?
    Ooohhhh … Hambledon Gallery in Blandford. Caroline Nicholls in Sherborne. Gallery One in Sturminster Newton. All three are simply amazing shops – more so when you consider they’re all in such a small, sparsely-populated rural area.
  8. Tell us about one of the best evenings you’ve ever had?
    It was in Tokyo in 2019. William was asked to ride in the Olympic test event so we took our boys out on an adventure.
    We then had the most surreal night out in Shibuya city in Tokyo – it was like the movie Lost in Translation!
  9. Chip Shop Chips or Home Baked Cake?
    CHIPS!
  10. Your top three most-visited websites?
    Racing Post
    er… Racing Post…
    and Racing Post!
    No, I do also visit At The Races and Sporting Life …
    Oh, and Amazon. That counts!
  11. Your favourite quote?
    Winston Churchill: “No hour of life is lost that is spent in the saddle.”
    Simply because it is so true.
  12. What was the last gift you either gave, or received?
    I gave a potion-making kit to my niece. Oh, and I gave my son tickets to see comedian Jack Whitehall at the BIC for his 16th birthday. He was VERY excited – I actually got the most positive teenager reaction I’ve ever achieved, there were real words, not grunts!
  13. You have the power to pass one law tomorrow, uncontested.
    What would you do?
    Free school meals for ALL children.

Heather’s make-ahead Christmas side dishes

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We all know that you can be overwhelmed with jobs at Christmas, especially if it’s your turn to host friends and loved ones. There are many lovely products on our supermarket shelves that can help take some of the burden. But if you fancy trying your hand at perhaps just one thing homemade this Christmas, I’m sharing four side dishes that are simple to make and can all be made in advance to help bring that little extra – stress-free – to your Christmas table. Heather x

PS – you can see all of last year’s Christmas baking recipes here, and don’t forget my foolproof Christmas Cake recipe – it reliably gives that delicious deep Christmassy flavour whether you make it two months or two days before Christmas.
You can find more of my Christmas recipes here, including my famous mincemeat, the easiest sausage rolls to impress and the super-Christmassy star-topped jammy biscuits.

Roasted Brussels sprouts

‘I’m not sure any Brussels sprout recipe will entirely convince me that they are a delicious vegetable, but this at least makes them edible (to me) – the actual sprout lovers in the house devour this dish!’

Ingredients

  • Fresh Brussels sprouts
  • Good quality olive oil
  • Salt
  • Balsamic vinegar

Method

  • Preheat the oven to Gas 6/180º fan. Line a baking tray with baking parchment.
  • Wash the Brussels sprouts, cut off the bottoms, remove the outer one or two layers of leaves and slice in half from top to bottom.
  • Place the Brussels sprouts onto the baking tray and generously drizzle with the olive oil and sprinkle with salt. Give the Brussels sprouts a good rub with the olive oil to make sure they are coated but make sure they finish up with their cut sides face down on the tray.
  • Bake in the oven for 17-25 minutes until they are crispy and golden brown. You can then drizzle them with a little balsamic vinegar.
  • To spice them up further, you can also add crispy bacon bits or parmesan cheese. You can also sprinkle finely grated parmesan cheese onto the tray while it is baking for an even crispier Brussels sprout.

To make ahead …
Roast the Brussels and then once cooled (and before any of the extra flavours), place in an air tight container in the fridge.
To refresh, place on a baking tray with a light sprinkle of olive oil and pop in the oven to reheat for five minutes.
Then drizzle with extra flavours (like balsamic etc).
If you wanted to add Parmesan, roast the Brussel sprouts plain and then when reheating, sprinkle with grated parmesan and cook in the oven until the cheese has melted.

Slow red cabbage

‘In our house, red cabbage isn’t just a pickled side with cold meats. It’s a hot veg dish and a favourite part of the main feast’

Ingredients

  • 1 red cabbage
  • 2 onions
  • 3 Bramley apples
  • juice of 2 oranges
  • 1/2 tsp of cinnamon
  • 5 tbs dark brown sugar
  • 25ml sherry vinegar
  • 50ml port
  • 2 tbs butter

Method

  • Shred the red cabbage and onion and place into a slow cooker, or a casserole dish for a slow oven. Peel the apples and grate them into the mixture. Then add in everything else and give it a good stir together.
  • Leave to cook on low for four to five hours, stirring occasionally.
  • This serves at least eight people but will also freeze happily for up to three months, so it’s perfect to make in a big batch and then keep some for another meal.

Croissant bread sauce

‘My personal favourite – the croissants really elevate what is basically bread and milk to a decadent and luxurious sauce for your turkey (plus it uses up any stale croissants that you may have lying around from a festive brunch. Win-win!)

Ingredients

  • 500ml milk
  • 3-4 croissants (stale is fine!)
  • 1 white onion, roughly chopped
  • 1/2 tsp thyme
  • 1/4 tsp ground cloves
  • Salt and pepper
  • 50ml cream

Method

  • In a saucepan, place the milk, thyme, onion, ground cloves, salt and plenty of black pepper (either whole peppercorns or freshly ground).
  • Place on a medium heat and bring to the boil. As soon as it begins to boil, remove from the heat and leave for 15 to 30 minutes so that the flavours infuse into the milk.
  • Strain the milk into a fresh bowl.
  • In a food processor, blitz the croissants until they are crumbs and stir these into the milk.
  • You can make this the day before and leave in the fridge at this stage.
  • To serve, gently reheat the mixture in a saucepan on a low heat. Add some cream to loosen the sauce as it may have thickened as it cooled.
  • Give it a taste and add some salt if it needs it. You can also add a small squeeze of lemon to ‘brighten’ the taste at this stage.

Homemade cranberry sauce

‘Once you’ve tasted your own, I promise you’ll never go back to the jarred stuff. It’s ridiculously easy, and tastes SO good!’

Ingredients

  • 100g brown sugar
  • Juice of roughly three oranges, you need 100ml
  • 400g cranberries (fresh or frozen)
  • Pinch of salt
  • Glug of sherry

Method

  • Put all the ingredients into a saucepan and stir together. You can also add the zest of the oranges if you wish. Turn onto a high heat and leave to come to a boil, stirring occasionally to melt the sugar into the rest of the ingredients.
  • Allow the sauce to boil, enough to reduce slightly. The cranberries will begin to lose their shape and soften (after about 7-8 minutes if using frozen berries, less if fresh).
  • Take off the heat and leave to cool. Don’t worry if the mixture looks runny, it will thicken as it cools.
  • The sauce will keep for up to a week, just place in a lidded container in the fridge.

All buttoned up

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Rupert Hardy, chairman of the North Dorset CPRE, has been exploring the long history of the Dorset button

Modern Dorset Buttons made by Anna at Henry’s Buttons
Image: Anna McDowell

It all goes back to Abraham Case, a soldier who fought in the Wars of Religion that ravaged Europe from the 16th to 18th centuries. He saw soldiers replace buttons on their uniforms by twisting a piece of cloth over a form and fastening it with a thread, but he may have been influenced in part by Brussels lace. He was also impressed by the skills in the buttoner’s art, seen in the work of Northern French and Belgian button makers.
He realised that Dorset had all the raw materials readily at hand: fabric, discs cut from the horns of Dorset Horn sheep and thread. Although originally from the Cotswolds, Abraham married a local girl. He set up his business in 1622 in Shaftesbury, going on to open depots in Bere Regis and other mid-Dorset villages.
The catalyst for growing demand was the change in mens’ fashions at this time, from the old doublet and hose to a more modern waistcoat and breeches – which required buttons, of course.
By the middle of the 18th century, nearly 700 women and children worked for the Case company alone, while up to 4,000 buttoners were employed in the industry around Shaftesbury and 3,000 around Blandford. The workforce were mostly outworkers; women and retired farm workers were able to make buttons from home.
In North Dorset button making was the biggest industry, albeit a cottage one, and second only to farming in employment. Tracy Chevalier’s book, Burning Bright, features a character, Maisie, who makes money from buttony.

The original Dorset High Top (left), and a Dorset Knob button.
Image: Anna McDowell

High Tops and Knobs
The first buttons were called High Tops, and were mostly used on women’s dresses. The horn disc was covered by material and made into a conical button using a needle and thread. Flatter versions were called Dorset Knobs, and were possibly the inspiration for the local baked biscuit of that name.
In 1731 a Yorkshireman, John Clayton, was brought in to reorganise the business after a bad fire at the Bere Regis depot. He used his contacts with Birmingham wire manufacturers to switch to metal rings, which were cheaper than horn. Some of these buttons were made using wire twisted on a spindle, called Singletons. Other variations, using a ring and thread, were called Blandford Cartwheels. The town’s earlier Huguenot lace industry was by then in decline, but the button makers had found a new use for the fine lace thread.
The highest quality buttons were mounted on pink card, and exported, while seconds came on blue. The best buttoners could make a gross a day, earning three shillings and sixpence, much more than the day rate for an agricultural labourer.

Royal fans
The quality of Dorset buttons was noticed in London, where High Tops soon adorned the waistcoats of courtiers.
There is speculation that Charles I went to his execution wearing a waistcoat made with Dorset buttons. Much later, Queen Victoria had a dress trimmed with Dorset Knobs. Cartwheels are probably the most popular buttons made today.
Unbuttoned
Sadly, the Industrial Revolution destroyed many cottage industries, including Dorset’s button-making.
Benjamin Saunders began making machined buttons from his London workshop and took out a patent in 1813 for his fabric buttons. The death knell finally came with John Aston’s patented button-making machine which was demonstrated to great effect at the Great Exhibition of 1851.
There was no way the Dorset buttoners could compete.
There was acute distress across mid-Dorset, and from Shaftesbury alone 350 families were sent to the colonies at government expense.
The situation had been made worse by the repeal of the Corn Laws in 1840 and the arrival of cheap food from the colonies, bringing in its wake a long-lasting depression in rural Dorset in the late 19th century.
Farmers were forced to mechanise to compete and laid off thousands of agricultural labourers. Thomas Hardy’s tragic novels of rural hardship were based in this period, and the effects can be seen in the parish censuses of the time. At Winterborne Tomson, where I live, there were 53 inhabitants in 1841 but by 1891 this had halved. Those who left either emigrated or went to work in the factories of the North.

A revival of the Dorset button industry is inspiring a new range of crafts – these are hair clips, key fobs and yarn pins, all based on a traditional Dorset button by YarnWhirled.com

New buttons for MPs
Florence, the Dowager Lady Lees, tried to resurrect the button industry, learning from women who had been button makers long before. In 1908 she set up a small business making Parliamentary buttons for Dorset MPs in the constituency colours, but it died with the onset of World War 1.
Today Dorset buttons are a heritage craft, but there has been some renewed interest – in particular Anna McDowell of Henry’s Buttons, near Shaftesbury, aims to help keep the history and skill of the Dorset button industry alive, organising workshops and talks.
There is a permanent display of Dorset buttons at the Gold Hill Museum in Shaftesbury, and I recommend Thelma Johns’ book Dorset Buttons: Hand Stitched in Dorset for over 300 Years.

Winter is downtime for the eventing yard

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This month, Toots Bartlett’s head groom Eve reflects on joining an eventing team and has been enjoying the quiet season to get ahead on much needed yard work.

I’m Eve and I started working for TB Eventing in May this year and am lucky enough to be Toot’s head groom, having always worked within the Equestrian industry covering different disciplines.  I am quickly learning the different responsibilities of being a head groom within Eventing and am thoroughly enjoying the multi facets of skills necessary in both horse and rider to compete competitively across the triathlon of dressage, show-jumping and cross-country.  It makes for a varied and fascinating skill set and as I enjoy organisation so much I have really enjoyed stepping up to the challenge.


There is no denying we are now into the winter months.  One of the perks of the eventing season being in the warmer months is the lack of plaiting over winter! As much as this is one of my favourite things to do, and is still necessary for dressage competitions during the winter, the chilly weather undoubtedly makes it more difficult on your fingers.
Currently Toot’s horses are on a holiday at her family home where grazing (much to the horses delight) has been well rested and plentiful.  However, the holidays are coming to end and December sees them all coming back into work. A gradual planned strength and conditioning programme is introduced for each horse to bring it back to full fitness over a period of approximately 12 weeks.
With the majority of the horses on holiday it has given us time to concentrate on one of my favourite horses, Charlie, who sadly is being prepared and produced to sell in the Spring.  He has been going to dressage and show-jumping competitions, winning almost every time out at Elementary level and with a incredible technique over a fence.  I wish I could I would buy him myself as he will make someone the perfect horse, he is so utterly beautiful.
The very useful down time in November has given us a perfect opportunity to get the horses stables at Fox-Pitt Eventing emptied, power-washed, disinfected,  painted and much needed maintenance work done so they are fresh for the season ahead of us.


Erin, our new member of staff, is getting on really well and fits in excellently with the team dynamic.  We are also extremely fortunate to have help from Donna Hills, who was Paul Nicols travelling Head Groom for 25 years. I personally am benefiting hugely from all her experience of travelling horses as I am doing my HGV training next week, so her help has been invaluable. 
With extra help on the ground it gives us more time for more horses. We have consequently been on the search for a couple of 4 legged projects to join the team.  However, after several failed vettings and some frustrations we hope to be introducing you to two new faces next month.
The season concluded with all of us at TB super excited to watch Kazuma Tomoto compete at the final 5* in Pau, France.  Kazuma is stabled next to Toots and it gives our team huge inspiration to aim high for the competitive months next year.

Not just a famous name

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Hidden away in a fold of Cranborne Chase outside Shaftesbury, Gritchie Brewery is crafting a fine reputation. Laura Hitchcock reports

Inside the Gritchie Brewery
All images: Courtenay Hitchcock

Ask North Dorset residents about Gritchie Brewery and you get one of two answers. The first is usually: “Oh, LOVE their beer!”
The second is: “oh, that’s Guy Ritchie’s, isn’t it?” – and to be honest, it’s often said with a mildly belittling tone.
Because yes, this IS film director, producer and screenwriter Guy Ritchie’s company.
But it’s very clear that this is no vanity project. Beyond the local area, where people know that Guy Ritchie lives on the estate just north of Shaftesbury, the Gritchie branding is never advertised with Guy Ritchie’s name. The beer is expected to stand on its own merits (though perhaps with a little A-List movie advertising help – watch the opening scenes of The Gentlemen closely, and you’ll see Matthew McConaughey enjoying a pint of Gritchie’s English Lore before he leaves the pub and passes a Gritchie delivery van) – and the business is entirely self-supporting.
‘It’s a bit frustrating in some ways’ says Gritchie Brewery’s Nick Brown, who spent nine years as a police officer in Dorset before emigrating to Australia with his wife to serve in the Australian police. They returned to the UK as COVID restrictions lifted, and, looking for a change in career, Nick applied to Gritchie Brewery. Now he’s overseeing sales and running the brewery’s busy schedule of attendance at events – their horsebox bar is a familiar sight at shows and fairs across the south.
‘Everyone thinks it’s a massive boon to have this famous name behind the brand,’ Nick continues, ‘but actually it’s almost like we have to work twice has hard to have the beer taken seriously by some people. So many celebrities just put their name on someone else’s product and await the financial return. But Guy’s a very exacting boss. He is in the office most days that he’s here in Dorset – he’s really hands-on with the business’.

Outside, Gritchie Brewery own all their own kegs to allow recycling

Field to firkin
Working from Gritchie’s Ashcombe estate, tucked away in the chalk hills behind Shaftesbury, the Gritchie Brewing Company staff have a daily view that many would envy. Standing in the yard, surrounded by the usual rural sounds of birds, running water and a distant tractor, there is no hint that a busy brewery is inside the buildings surrounding the peaceful courtyard.

The view into the brewery from the oldest part
of the farm complex


‘We do everything here except canning and bottling,’ says Nick. ‘We did try bottling ourselves, but the machinery takes up so much space. Economically it was better to outsource it. But the Maris Otter Barley is grown on the Ashcombe estate, we draw water from a bore hole on the estate, we brew the beer here, and everything is packaged in these buildings by the team. We even do all our own deliveries where possible, serving all the local outlets ourselves, right along the south coast, plus weekly runs to London for Guy’s Lore of The Land Pub in Fitzrovia.
We literally follow the product from field to bar.
‘We have a huge drive to be as environmentally conscious as possible. Even the kegs are ours, so they can be constantly recycled and reused.’


Head brewer Alix Blease explained the basic brewing process, starting with the sacks of barley arriving back at the farm as malt. It is poured into the mash tun with hot water to create a mash. After 45 minutes, the sweet liquid wort is washed into a kettle, or copper, where it is boiled for an hour, and the hops are added at various stages depending on which beer is being made.
‘Local hops would be cheapest, obviously, but British hops tend to be dark and musky flavoured. Great for traditional British bitter ales, but a modern IPA needs a bright, zesty flavour, so we have to go further afield.’
The now-redundant grain isn’t wasted. It’s collected by a local farmer to use for animal feed.
Gritchie brew 4,100 litre batches – limited by the size of their tanks. Every part of the equipment and process is carefully selected and controlled.
‘We’re all about consistency.’ says Alix. ‘We believe in Do it once, do it right. An independent craft brewery lives and dies by the reputation of its product. Because we’re making relatively small batches, we can be really responsive and brew to demand, which also means very little wastage.’
Nick agrees: ‘It’s no good us selling the beer into a pub, and having the landlord tell us the customers don’t like it this week because it’s not as good as last time. They trust us to always provide the same product. If their customers like it, the landlords will buy it. If we’re reliable in our product, we get loyalty from our customers in return. It’s good for everyone.’

Flexi-brewing
It’s been a tough year for beer. There has been a 40 to 50 per cent increase in raw material costs since last summer. Heineken recently announced that they are increasing their prices by 15 per cent in January. But Alix is feeling positive.
‘Because we do so much ourselves, a lot of our costs are negated, using our own water from a borehole, for example, and selling more cask beer which doesn’t require CO2. We don’t plan to raise prices at all if we can possibly help it.’

The Break Room – the ceiling is made from old cheese store shelving


Nick feels they also have some business advantages over their bigger competitors.
‘We don’t have their scale, obviously, but we’re a small team of seven; three in production, two on deliveries, Sally in the office and me.
And no matter what our official job is, really we all do everything – we were all labelling this morning, getting product packaged up. But that means we have a very close relationship with our customers and can react quickly to their needs.

Gritchie Brewery’s head brewer Alix Blease


We’ve been able to offer local pubs smaller casks, for instance – many of them are reducing their opening hours due to their own staffing and cost issues, so they don’t want a large keg opened which they only have three days to sell through. We can also respond swiftly – we can generally get stock out to them within 24 hours, often same day if they’re not far. And we’re always on the end of the phone for advice and a chat.’
The whole team is aware of the need to balance the cask ales and traditional tastes of their rural heart, while also serving the city palates of their London fans. Alix is constantly looking at new flavours and ways to develop – but for now keep your eyes peeled for the new Galaxy New England IPA. We finished our tour in the Break Room (opposite top) with a swift half of the new beer, and it’s light, slightly citrusy, explosively smooth and astonishingly delicious.

There are worse places to work …

You can buy Gritchie Beer at the following local outlets:
Dikes supermarket: Ansty PYO Farm: Shaftesbury Wines: Udder Farm Shop: Shaftesbury Abbey: Morrisons Shaftesbury: or online at gritchiebrew.com/shop Or ask your local freehouse landlord if he’ll stock it.

YARD STAFF required – part time | Glanvilles Stud

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YARD STAFF REQUIRED by the Glanvilles Stud (Glanvilles Wootton). Part time – can fit around school hours.
Join us to be part of the unfolding racing story of our young racehorses: helping shape their futures from birth and following their progress on the track. No riding required.

Glanvilles Stud has a part-time vacancy for a Stud Hand – three days a week plus alternate Saturdays and Sundays – to join the existing, dedicated team, initially to the end of April. Either a genuine 8am-5pm working day or could fit around school drop-off and pick-up times. It could be two people working two days a week and one Sunday a month or some other variation – open to discussion for the right people.

The job involves working with well-mannered (mostly… 😁) broodmares, foals and youngstock; leading in and out, mucking out, feeding, assisting with veterinary and farrier work, prepping for sales and assisting with stud maintenance. Work is varied and interesting.

We are a mares-only stud with high standards, breeding top quality racehorses. Our existing team enjoy following the careers of the foals and youngstock they have helped raise.

Ideally you have previous experience with horses, and you do need to be physically fit, but the main criteria is you are willing to fit in with, and become part of, our enthusiastic, happy team.

We are easy to get to, in Glanvilles Wootton, five miles south of Sherborne – we’re even on the Dorchester/Sherborne X11 bus route if that helps.

Please email [email protected] or call Doug Procter on 07974 314262 to discuss.

Making Memories at Thorngrove

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At Thorngrove this year, the team have been building you memories – you just need to come along and make them, says Kelsi-Dean Buck

We made it! It’s here. Every year it feels like it arrives sooner, but December is upon us and the Christmas spirit is in full swing! As we said last month, we’re having our biggest Christmas ever with more events than any previous festive season at Thorngrove! A grotto, a fairytale forest, and wreath making classes too! Oh… and did you see our official Christmas advert? You can watch it on social media now!

Grottos and memories
It can be difficult trying to “sell” in times of economic uncertainty – we’re all only too aware of the difficulties many people are facing this year. Which is why at Thorngrove we’re doing our best to offer not just the usual Christmas essentials, but make ourselves a place that you can also come to create memories that will last forever.
We have already had our first Santa’s Grotto days and we had amazing feedback from those who attended. Our grotto was put together entirely by our staff, and our Employ My Ability students and service users got involved building the snowman! It was real team effort to get the grotto up and running and we hope you all enjoy it; it’s on every weekend until Christmas. You can turn up without booking but we do encourage booking beforehand as the last two weekends are already looking especially busy and close to selling out! Find all the details on our website.

Theatre at Thorngrove
Dorset based company Angel Exit Theatre (angelexit.co.uk) are transforming an indoor area of Thorngrove Garden Centre into a beautiful wintery forest. Visitors will learn the secrets of this snowy land as they venture through pine trees on a sensory journey filled with fairy tale magic. They will meet the effervescent Mary Godmother played by Lynne Forbes and hear news of their favourite fairy tale characters in her stories, songs, and gossip.
This event is FREE and no booking is required – dates on our website.
The café is hosting a Christmas Menu on select days in December too, with Ben and his team offering some delightful options. The Taste of Christmas will be in the Secret Garden Café and more delicious than ever before.

We look forward to seeing you all this December, and wish you a very Merry Christmas and a happy new year!