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It kicked off with a great story … | Tales from the Vale

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I really enjoyed the column of my fellow scribe Roger Guttridge in the last issue – read it if you missed it first time round.

It kicked-off with a great story about a seemingly backward local boy who turned out not to be that backward after all.

But what got me was the absolutely accurate local vernacular that Roger used to describe the lad turning the tables on the arrogant motorist, when he said, ‘But I b’ain’t lost….’.

Well, that rang a bell.  

I used to talk like that.

I hadn’t heard – or read – that particularly rich slice of north Dorset vernacular since my family moved from Stalbridge to Weymouth in 1973, but it was an everyday occurrence until then.

Interesting that I move about 20 miles out of the area and there’s a new dialect. No longer did I hear ‘where be you to’, or ‘they be doin’ a bit o’ ditchin’..’ or ‘we be off down Basils…’.

Basils was the site of a pond off the Milborne Port road just out of Stalbridge and opposite a climbable part of the Stalbridge Park dry stone wall, where Brian Trevis and I would cut out pieces of turf from the top of the wall to chuck onto the rare passing car. I believe we pictured ourselves as Commandos hand-grenading ‘Jerry’ staff cars. You wouldn’t believe how many Jerry staff cars were in Dorset at the time. Used to shock me. The nobility of our cause was lost on one motorist, as he clambered furiously up the wall only to see Bri and me survive a death-defying jump down and scamper, hooting, into the parkland (think I’ve cleared up a 51 year-old unsolved crime – it was Bri’s fault, Officer, he was a year older than me).  

It saddens me that our selfless and courageous exploits in freeing the world from the Nazi menace was never officially recognised (a knighthood, perhaps) – but that’s the lot of commandos, to serve is all.  

After that exploit, Bri said, ‘that made I laugh’, which I still say now, with affection to my dear friend.

In case some readers find all this war-stuff odd, you must remember that a 10 year-old in 1970 thought that WWII was still going on (Dad’s Army was on practically every night, every film and comic was laden with the exploits of our brave Tommies lobbing hand grenades at Jerry staff cars) and, frankly, for some UKIP voters, the delusion continues.

The local idiom thrived because there were few outside influences in contrast to today.  Until comparatively recently few people ventured far from their birthplace during their lives – the only form of transport was Shank’s Pony or an actual horse, only the aristos could afford a horse and cart and then, there were no tarmacadam roads, so the going was rough or impassible. There were almost no phones, so communication from outside was from letters. And whatever accent the writers imagined as they wrote them, one read them in one’s own dialect.

When I grew up in Stalbridge, not everyone had TVs, and if they had, they were black & white with poor reception – screen snowstorms were common – and only three channels to choose from and there was no local radio, only the, mainly dire, unpalatable porridge churned out by the far-off BBC and the parvenu ITV or Channel 3, as it was called. We only got a fourth channel on November 2, 1982 (I rather liked it that there was no fanfare, it just went straight in to Countdown). And few presenters had regional accents. It was more of a class-defined society and one’s class was appraised pretty much the minute you opened your mouth, and it was generally felt in the upper echelons of ‘society’ that one had to speak the clipped tones of Celia Johnson and Trevor Howard in Brief Encounter (spoiler alert: the final clip of the film where the not quite cuckolded husband reads out a crossword clue, to which the answer is key to the film, is deeply poignant but easily missed).

The great progressive rock guitarist Robert Fripp (King Crimson), brought up in Dorset, and his very lovely gamine wife Toyah Wilcox (‘It’s a Mystery’, or, more accurately, ‘It’th a Mythtery’, as, like the delectable Lucy Worsely, Toyah has a charming lisp) have, since Covid, launched a hugely popular series of ‘Sunday Lunch’ clips in order to cheer up the nation. He plays (brilliantly), she sings and dances with a gusto that betrays her 62 years. And I love it that Frippers doesn’t even think of toning down his strong Dorset burr which, believe me, wouldn’t get you far in the media today, let alone the ‘60s or ‘70s, without widespread ridicule.

If you think that the bosses at the BBC now are ‘a little out of touch’ with the rest of the country, you should have witnessed it then.  We had the ghastly Jimmy Savile foisted on us for Top of the Pops. Even at the age of 10 we kids knew he was a wrong ‘un. I didn’t believe a word of the BBC denials and fake shock when the grotesque lecher was finally ‘outed’.

On a less ghastly note, it amuses me now to hear that The Archers has an ‘agricultural story editor’, (ASE) and I can just imagine the ‘woke’ meetings going on with when the ASE briefs the cream of metropolitan media on rural life. It probably goes like this (and we can take it for granted that all contributors raise their voices at the end of each sentence):

ASE: So, like, there are some people who …(pauses as he doesn’t quite know how to deliver this next line) …don’t live in London.

Gasps of disbelief and shock at the very thought.

ASE: They live in what we call the …countryside (pauses, then thinks how best to explain what the ‘countryside’ is to his blank-looking audience) …there are no Pret a Mangers….or Uber Taxis…I went to the ‘countryside’ once, it’s why I’m the ASE, and, I’m like, where is everything?

More gasps, several people faint. Smelling salts are called for.

ASE: And they all get around on these things called ‘tractors’….

Scriptwriter: Are these ‘tractors’ like a BMW 4×4?

ASE: Yes, they’re exactly like proper cars that all normal people have, but they call them ‘tractors’, don’t know why, a rural thing probably (much laughter).  And they use them to tow big metal boxes on wheels, full of err….quinoa and …errr…wild basmati rice and …um…quiche…

Scriptwriter (approvingly): So, can we assume they’re all vegans?

ASE: Yes, like, everybody, I mean totes everyone, who lives in the countryside is vegan because, they’re like, ‘I can’t afford meat’. They sometimes snack on pieces of straw, and they hold their trousers up with baler twine…I’m like, why are you doing that, and they’re, like, ‘because we be…’

And we come to the question of the Dorset ‘be’.  ‘I be going’.  I was explaining old north Dorset speak to a French woman and told her it was quite easy. Instead of saying:

I am..

She, he, it is

You are

We are..

They are

You just substitute ‘be’ for am, is and are. 

It’s how I used to speak as a kid when with my mates, many of which were farmers’ sons. So, the, ‘I b’ain’t lost…’ from Roger’s tale was the lad merely shortening, ‘I be not lost…’ It is no more obtuse than French (from which 60-80% of our language stems), which uses the identifying negative to imply that another negative is shortly on its way, Je ne suis pas perdu..’ – ‘I not am not lost’, which has a double negative so could mean ‘I am lost’.  Confusing, eh?

When I moved back to Dorset, I was rather charmed that practicably everybody used the phrase, ‘to be fair’. I don’t think they were extolling L’Oreal hair products, but our brilliant plumber, Jonny Stuart, as I write this, said, ‘to be fair, the pipe is rather old…’, the great car mechanic Leon who runs Beechwood in Blandford would stare at the exhaust of my car and say, ‘to be fair, it was on its last legs’.

Our log man, Paul Courage of Hazlebury, thrilled us when he asked if we’d been up Bulburrow Hill yet. ‘What’s that,’ Kae asked. ‘That girt big hill,’ said Paul. Again, as a kid I’d say ‘girt’ instead of ‘great’.

I used to automatically switch to ‘standard’ English with my mum, a teacher, who was rigorous in beating out of us, and her charges, another local solecism, which was to say, ‘you should of..’ instead of the standard English, ‘you should have…’. If this is pedantic, then it’s because I had a pedagogue as a parent. Mum was pretty hot on us not saying, ‘off of..’ which I still hear today, and still say it to her to amuse (mum just ignores me).

The conversation with my French friend became more complicated when I was asked why, in cockney rhyming slang, does the word ‘Harris’ refer to someone’s backside. I said that bums were originally referred to as ‘bottle’, as in ‘bottle and glass’, then over the years ‘bottle’ became ‘aristotle’ which was shortened to ‘arris’ which became lengthened to ‘Harris’. My French friend gave me a look of wonder and said, ‘confusing isn’t it’, to which there was only one reply.  It be.

Years later, before going into journalism, I was in advertising (the difference between the two is that with advertising, you continually fretted about your job security but got paid a lot, and with journalism you continually fretted about your job security and got paid bugger-all, but it was much more fun).  And I discovered the link between regional accents and how they were ‘officially’ viewed.

There were some regional accents widely seen as ‘acceptable’ and even ‘trustworthy’, which included a light Geordie accent, a Hereford/slightly Welsh accent and a mid-eastern Scottish, (Edinburgh/St Andrews) accent, and a  mild Yorkshire accent depending on the product. Obviously, a Yorkshire accent wouldn’t sell a BMW 4×4. Would sell a tractor, though.

The accents which one didn’t then use to sell products where Birmingham, Liverpool or Estuary. A west country accent wasn’t in the running, unless it was used for selling agri/outdoors products.

A senior ad exec responsible for an expensive series of TV adverts pushing, I think, Cuprinol hired the top impersonator and actor Robbie Coltrane for the voice-over (between £10k to £40K+ for a couple of hours in a Covent Garden studio was the going rate – nice). His brief was along the lines of, ‘Welsh borders with a taint of North East England’.  The girt big man did it perfectly and the ensuing ads resulted in a lot of well-protected garden sheds and fences.

I lament the disappearance of regional dialect and phrases. We be going to sound all the same and that b’ain’t good. Be it!

Andy Palmer

THE FAILINGS OF DORSET’S LOCAL PLAN

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Many people will be aware that Dorset Council (DC) has initiated the consultation process for its new Local Plan (LP), and this will run until 15th March. This Plan is very important as it will decide the future development of Dorset until 2038. However it has serious shortcomings.

The emerging LP appears to be made up of a mishmash of various plans from the previous District Councils, already out-of-date. It consists of c.2,000 pages of unmanageable documents, which most residents will not read. Recent caveats may have been inserted into the Plan, but clearly the impact of Brexit and Covid – with its profound consequences for retailing and the hospitality sector – have not been factored in. Why rush when the government’s much criticised Planning White Paper has not been agreed yet? When it is, we expect it to force through dramatic changes to the planning system.

Shillingstone house building site – Image: CPRE

We realise that the consultation process will be limited due to Covid-19 restrictions, but we do question the absence of engagement over its scope. There is little discussion of realistic strategy options. Where does it cover the question of “housing need”? Residents are being consulted over the siting of developments, but not whether Dorset needs 30,000 new houses.  DC is kow-towing to central government over housing targets, insisting that numbers are non-negotiable.  Last year Dorset CPRE commissioned an independent report, Dorset Housing Need Evidence ( https://dorset-cpre.org.uk/news/current-news/item/download/787) that heavily criticised the government’s Standard Housing Method.

The LP compares unfavourably with the approach of Bournemouth, Christchurch and Poole, who are consulting on Issues and Options.   Dorset’s LP should contain a list of alternative strategic options to trigger a meaningful discussion with the public and parish/town councils. Instead it suggests a fait accompli in strategic terms. The Sustainability Assessment appears rushed and inadequate.

Looking at specifics, one extraordinary feature of this Plan is its bold reliance on a DC forecast of 21,000 new full-time jobs being created over the twenty years to 2038. There is no chapter on economic strategy to justify this.

Despite the allocation of 1,800 houses to the Gillingham Southern Extension in the old NDDC Local Plan, none have been built yet.   As a result of the loss of the 5 year land supply, much speculative development has landed elsewhere.   North Dorset residents now face thousands more homes being built over their beautiful countryside. DC have targeted Stalbridge in particular with a housing allocation of 610 more homes.

We urge DC to extend the consultation period in the light of critical omissions and the impact of Covid-19, but we would also encourage everyone to fully engage in the consultation and share your concerns. Let Dorset Council know what you want for your family and Dorset.

Rupert Hardy, Chairman North Dorset CPRE

Public Consultation Launched for St Mary’s School Site

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Dorset Council have launched a county- wide consultation exercise following their multi-million pound purchase of St Mary’s School, Shaftesbury – but they made it clear their favoured option is an educational facility for children with special needs and disabilities (SEND).

The public have until midnight on March 18 to complete a short survey online or on paper by phoning 01305 225088.

Other options already suggested include:

  • A centre for respite care offering a mix of specialist care and accommodation;
  • training and conferencing suite by leasing the site to a third-party tenant;
  • leasing to an independent provider of special needs education;
  • innovation centre for start-up businesses.

Chief executive Matt Prosser said the council wanted to hear from residents, businesses, schools, service users and community and stakeholder groups across the county before making a final decision about the 55-acre site’s future.

But he stressed that the preferred option of quality special needs education made sense both economically and for the children.

In a press release the council said the number of children with special needs and disabilities had more than doubled since 2015, from 1,500 to 3,000.

Speaking during an online press briefing, Mr Prosser said many pupils were having to travel long distances to schools outside Dorset at an average cost of £60,000 per pupil.

This compared with £22,000 per pupil for similar provision at one of Dorset’s ‘excellent special schools’.

Costs have grown by around £6.7 million a year since 2015 and this year independent SEND provision is likely to cost more than £14 million,’ said the press release.

Mr Prosser said that although the council paid over £10 million for St Mary’s, building a brand new school would cost several times as much and take several years to bring to fruition.

‘This has massive potential for up to 280 pupils or possibly more,’ he said.
‘This gives us the opportunity to reduce our costs in the future.’

Commenting on the school’s location on the Wiltshire side
of Dorset’s northern boundary, he added: ‘It’s an opportunistic purchase. We didn’t get to choose the site but it has such valuable resources.’

Council leader Cllr Spencer Flower: ‘We are very ambitious for this site and for our children and young people who have special educational needs and disabilities. St Mary’s has amazing facilities and we
believe it could be used to provide excellent educational opportunities closer to home. ‘We believe that creating a school with high quality facilities closer to home would be better for our children and young people and could also save money in the future.

‘Opportunities to secure sites like this for Dorset are very rare.
‘This is a clear example of investing to save. St Mary’s has been well maintained and has lots of amazing modern facilities.

Theresa Leavy, executive director for children, said that as well as classrooms, science labs, study rooms, assembly hall and canteen, those facilities included an indoor swimming pool, medical centre, library, drama studio, art block, gymnasium, sports hall, chapel, playing fields, sports pitches and former boarding houses.

The buildings had been well maintained and many were already adapted for people with disabilities.

Cllr Flower added: ‘We now want to work with local people and groups to create a great facility that will be a community and perhaps an educational resource for Dorset.

‘It’s a fantastic place set in substantial grounds of about 55 acres. It offers exciting potential for many other community uses too.’
The purchase is being financed from the council’s five-year capital programme, which is funded by a combination of government grants and money from the sale of assets.

Share your views on the proposed ideas by completing the survey here before it closes on 18 March 2021.

Dorset Council will carefully consider all views before we make final decisions.

By: Roger Guttridge

Meet Your Local | The Cricketers, Shroton

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The Cricketers is run by husband and wife team Chloe & Aidan Macdonald.


How did you end up at The Cricketers?


Aidan & I started working at The Cricketers back in March 2019 as Training Assistant Manager and Sous Chef. We learned the logistics, as well as getting to know all the lovely local faces that came through our front door. In January 2020, the pub was sold to Punch Pubs, I was then asked to become General Manager and Aidan became
Head Chef. We threw everything we had into these roles, and were loving every second… until the Coronavirus Outbreak. Last June we were offered a Management Partnership to take on The Cricketers as our own business and of course we said yes… even in a pandemic!


What’s your favourite local place to visit on an afternoon off?


We absolutely love walking within the local area, especially with our Border Collie, Bentley. Hambledon Hill is directly behind our pub so it is the perfect spot to spend the afternoon. We also have Hod Hill to the side of
us and other small walks that lead to surrounding villages. Sometimes we simply walk around Shroton – it’s a beautiful place to live in.


Tell us about your 2020…


2020 started out as a wonderful year for us, we were immersed in our new roles and were also enjoying living somewhere new as a fairly newlywed couple. January to March was fantastic,we were struggling to squeeze
people in! During the first lockdown we took time to renovate the garden for people to enjoy in the summer, and to spend some time connecting with the local community. July 4th 2020 and we reopened with a bang; we were busier than ever! All our locals were very present, and so supportive. We are a small team and Eat Out To Help Out pushed all aspects of this industry to new limits. We made it through successfully, and were extremely pleased with how business was going. We started planning special nights again… and then came November 2020 and Lockdown
number 2!! This time we decided to put on takeaways three nights a week for the community of Shroton and surrounding villages. Once again we were again blown away by the support we received. Shroton is just full of community heart; we love living and working here.


What are you most proud of?


We are both so proud of the diverse experience we have created here, from allowing dogs in our bar area (plus an outside dog bar and a plentiful stock of dog biscuits!). We have also worked hard on our restaurant area, meaning we can offer the cosy pub feel in the bar and a more formal dining experience in the restaurant.


Which dish is your most popular?


It’s so hard to choose! Our pies are extremely popular. So popular, in fact, we have a night dedicated to them every week – Thursdays from 6pm-9pm is Pie Night! But one of the most popular dishes on our menu is our Wicket
Beef Burger served with all the trimmings.

However… our cheesecakes come highly recommended due to our array of flavours; there’s chocolate orange, toblerone, mars bar, cookie crumble…


What’s next – do you have big plans on the horizon?


Wow, we have so many things planned. It’s just a case of when we are given the green light to go, COVID has definitely put a hold on so many things but it has not stopped our positivity or strive to do more. Our team have worked endlessly to ensure a safe yet enjoyable experience this year, and we cannot wait to inject a whole lot of fun back into pub life. One definite plan is for outdoor benches & heaters, giving us more capacity year round
whatever the weather. Right now, clearly we are simply waiting to know when we can reopen. We are continuing with our takeaways on Friday & Saturday evenings but we are working on various projects for when we reopen.

We do currently have 2 fantastic competitions on:


1. We are looking for our ‘Community Hero’ and they could win up to £1000, simply follow

www. pubcommunityhero.com to enter your nomination.


2. Simply like and follow our Facebook page to be automatically entered to win a meal for 2 and a bottle of
Prosecco.

Visit the Cricketers website here

The power of one hour: Rosie wins support for campaign to embed music into dementia care

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A community interest company is winning nationwide support for a campaign which aims to spark a cultural change in dementia care through music.

Musica

Blandford-based Musica Music and Wellbeing CIC is urging care homes and caregivers to join its Just One Hour campaign.

Already 277 care homes have signed up including the Hallmark, Four Seasons, Brighterkind, and Meddyg Care groups.

Rosie Mead, Chief Executive and Founder of Musica, said the campaign was inspired by research which suggests that people living with dementia in care homes experience just two minutes of social interaction each day on average.

She added: “We are seeking to change this and increase that social interaction to at least one hour per week by enabling carers to embed music into the daily care of people living with dementia.”

Rosie Mead

Care homes and caregivers can sign up to the #JustOneHour pledge via the Musica website to help harmonise healthcare and improve the lives of people living with dementia.

Sign-ups will receive a digital pack with information on why music is beneficial in dementia care, how to use music in individual care, as well as all the tools required to deliver meaningful music in short ten-minute bursts.

The pack also includes prompts, which can be displayed around the home to encourage all caregivers to provide social interaction through music.

Musica’s #JustOneHour campaign is supported by British cartoonist, Tony Husband, best known for his regular cartoon strip Yobs in Private Eye. The strip has been published in the satirical magazine since the late 1980s.

Tony Husband

Tony, an active dementia campaigner, said he had witnessed first-hand the joy music brought his father while he was living with dementia.

He said: “My dad was a brilliant boogie woogie player and he took his keyboard into the care home.

“One day I was in his room, and he was playing something I’d not heard before.

“I said ‘Dad, is that your tune?’

“Without stopping playing, he said ‘Yes, music gives me freedom’. And it did, I know that.”

Musica is considered one of the leading music and health organisations in the UK.

Founded by Rosie in 2010, it operates across the country.

It delivers online support, training, coaching and meaningful music activities for healthcare providers and family caregivers, supporting relationship-centred dementia care.

Rosie, who was named a Woman of Inspiration in the 2020 top 100 WISE (Women in Social Enterprise) list, said: “The benefits of music in dementia care are significant.

“The use of familiar music delivered in a responsive way can help to reduce agitation, anxiety and improve wellbeing, social interaction and quality of life.

“This isn’t magic, it’s science.

“We have realised the importance of being in the moment with people living with dementia and have fully embraced a responsive care model.

“This campaign will empower carers all across the UK to do the same.”

By: Andrew Diprose Dorset Biz News

A Prickle of Hedgehogs in Hazelbury Bryan

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Last year, 2020 was an extremely busy one for us here at the Hedgehog Rescue. We reached our third birthday and although we were not able to celebrate, we did manage to redecorate and completely revamp our little rescue.

Another milestone was admitting our 500th hedgehog. The Rescue has come such a long way since we started taking in sick and injured hedgehogs. We could not have achieved this without the support of Friars Moor vets.

We are so busy now that we need volunteers each morning to help keep the hedgehogs clean and our rescue tidy. Being wild animals, hedgehogs have not learnt to keep their area clean! 
So we have assistance from three lovely and dedicated people. David works three days a week, Penny one day a week and Ian two days but fills in when needed. We are actively looking for another person to cover Saturday mornings. 

One of our volunteers cleans the cages, while the hedgehogs are weighed and medicated as necessary. It can take up to three hours with two people working to get all the hedgehogs cleaned out and ready for the day with fresh bedding, food and water. This time of year we are full to capacity so we also have friends who overwinter hedgehogs for us until the spring.  

One of our recent success stories is Hugebert, who was happily sleeping in his nest when he was cut on both sides of his body by a hedge trimmer. 

The wounds were extensive, but clean and fairly superficial.  

On a Sunday night Friars Moor vets sutured him back together, and the same night he came home to us for nursing care. We gave him antibiotics, lots of quiet time and kept him warm while he gently recovered.  
Hugebert is now living up to his name – weighing in at 1290 grams, he is one of our big boys! 
He has not yet decided to hibernate as some in the Rescue have, but is a gentle giant who to my great relief can curl into a ball now his injury is healed. This means we can release him in the spring so he can live out his life as hedgehogs should.

Ed – Jeanette’s far too polite to ask for support direct, so I’m doing it for her. Last year the British hedgehog was officially classified as ‘vulnerable to extinction’ . If you’d like to support the hedgehogs there are a number of things you can do.
Firstly, go and follow the Rescue’s Facebook page – where you are not only kept up to date with news, but upon which there is also a gratuitous supply of cute hedgehog videos. 

Secondly, Jeanette has an Amazon wishlist set up for items she’s in need of – purchase from the list and the item will go automagically to the Rescue.

Finally, you can donate here.

“Without your help we would not be able to continue our valuable care of these beautiful, grumpy, smelly and endearing little creatures.”

Elm House Studio Pottery

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Catherine and Jeremy Broadway

When Dutch elm disease swept through southern Britain in the 1960s and 70s, over 90% of elms were lost; an estimated 25 million trees. A rogue fungus dispersed by bark beetles was the cause. Cath and Jerry Broadway told me there used to be many elm trees around Elm House Studio, their home in Child Okeford where the couple lovingly create handmade pottery and ceramic products, beautifully hand painted with designs inspired by nature. The elm trees have returned and Jerry informed me that as long as the hedgerows are kept well below 15 feet the saplings will thrive. The insect flies at that height so the smaller trees are safe. Passionate about passing on his extensive knowledge not only of pottery but also of the lovely countryside surrounding their home, he also coaches individual students in his spare time.

The current lockdown has given them both more opportunity for exercise, photography and simply time to ‘stand and stare’ at the masterpieces of nature – from a shattered puddle of ice to frosty seed heads in the hedgerows. Having nature on one’s doorstep, helps not only with lockdown but also a means of improving mental health and clinical depression. Describing it as similar to Churchill’s ‘black dog’, Jerry has personal knowledge of this. The structure, processes of glazing and different firings involved in throwing a pot have helped to give him the tools to cope.

“Artists are privileged people because they’re able to see the world in ways that perhaps other people cannot. That’s why it seems selfish to keep this skill to myself and why I always like to do some form of teaching. It almost feels like a moral responsibility. I dread that if art is not kept alive it will cease to enrich people’s lives. It’s so important for artists be approachable” he says, giving me an endearing example: “One day at the local fete I ran a workshop for children to experiment with clay. One little girl was working for a long time on her own, wetting and smoothing a small piece of the clay. She told me it was finished and I tentatively asked her what it was. ‘It’s a pond’ she said! So I suggested we place a little duck on it!”

Cath attended Art College at Kingston, Surrey where she gained a first-class BA Honours Degree in Fine Art. She further developed her skills at Chelsea College of Art, gaining a Master’s Degree in the field of Fine Art and training as a printmaker. Her husband introduced her to the art of pottery and thus it became a true ‘marriage of convenience!’ The duo are complementary, each with their own distinctive approach. Cath’s artistry is in the imaginative surface decoration, whilst Jerry’s skills lie in the making and the chemistry of the glazing. She made an interesting comment: “A painter’s colours are ready made whereas a potter must mix and sieve his raw ingredients. Firing is also an art in itself, it brings life to the work. Potters often wonder why they put themselves through this. Ultimately it is to find the ideal balance between surface and form.”

However, they are now encouraging each other to take more risks and become less inhibited with their work. With Cath’s love of colour and line, she hopes to incorporate some of these new ideas into her mainstream production – for the enforced isolation has enabled a period of what Cath calls “bonkers experiments” in the studio. For example, Jerry showed me a pre glazed pot where he had taken electrical cable wire and road chippings (containing basalt and broken glass!) and was expecting them to melt into the glaze when fired in the kiln.

What can look random is carefully chosen. Potters are famous for guarding their recipes and Jerry admitted it would feel like cheating to buy in ready mixed glazes. Donning an alchemist’s hat, he has spent many years building up a series of precious notebooks for different recipes, some of which are 45 years old. “Just one glaze may have up to eight ingredients which must all be weighed, sieved and measured, including felspar, flint, talc, bone ash and china clay. All these recipe ingredients are carefully guarded secrets.” He is also very knowledgeable about the 4000 year history of pottery: traditional utilitarian Verwood and Harvest jugs which show the way in which studio pottery developed and became more personalised. “There was a sincerity and honesty in traditional pottery but it changed with the Industrial Revolution”. The Japanese and to a lesser extent the Chinese have always been esteemed potters. Bernard Leach born in 1887, although much influenced by the Japanese, heralded a revival and was known as the ‘Father of British studio pottery’. “However, today the final nail in the coffin is that the Chinese can now mass-produce cheap good quality pottery which looks hand-made.”

I was then introduced to the Japanese concept of Wabi-sabi. Its simplified meaning is ‘to take pleasure in the imperfect’. When a pot is taken from the kiln, the potter can accept the defects – perhaps leaving the fingerprints and ignoring something unexpected that has occurred during the process. It is a notion of appreciating beauty that is ‘imperfect, impermanent, and incomplete’ in nature. However, as Cath cautioned, “You have to know when to stop. Sometimes it can be frustrating when you work really hard in the studio and something comes out of the kiln that you were not expecting and the glazes are not quite right. There is a subtlety. It cannot be intentional but it is exciting.”

Jerry continued: “The programme for firings in the kiln must be just right. For example, a firing will go up from 0 to 200 degrees very gently to get rid of the moisture in the pot and to avoid blowing the pots apart. Further slow heating allows all the particles to melt together and it is taken up to 1000 degrees in the first firing. Then the glaze is mixed, added to the porous surface and the water is absorbed with the minerals staying on the surface. When the process works you know the effort has been worthwhile. When we make a pot we want to make something that is beautiful. It goes beyond functionality and purpose into art.”

Cath and Jerry believe that art should be affordable. “If you don’t encourage people to start admiring and enjoying art at a young age you exclude people. We’d rather make less money and have a customer who truly appreciates the work.” Customers can look out for their pottery in National Trust shops; First-View Gallery, Stourhead; Gallery in the Square, Dorchester; The Workhouse Chapel and hopefully during Dorset Art Weeks in 2021. We will all be in need of some ‘bonkers experiments’ by then!

http://cathbroadway.co.uk

Shine Cancer Support

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Shine is the only UK charity that support adults in their 20s, 30s and 40s who have experienced a cancer diagnosis.

There is never a good time to have cancer, but we know that younger adults face different issues than their older or younger counterparts – Work. Fertility. Finance. Insurance. Sex. Dating. Mental health. Every single aspect of life is affected when you receive a cancer diagnosis.

Young adults with cancer: people in need

An estimated 210,000 adults in their 20s, 30s and 40s are living with and beyond cancer in the UK. That’s 10 times the number of children and teenagers living with the disease. Yet most cancer support services target older people, while services that do include young adults stop at age 24. A cancer diagnosis can have devastating consequences for young adults.

Shine Cancer Support is the only charity in the UK exclusively focused on supporting this group of people. We started in Dorset as an informal support group and have grown to become a national organisation, supporting thousands of people across the UK. We are also patient-led, all of our staff and most of  our volunteers have dealt with their own cancer experience so we truly ‘get it’ and design all of our services with patients involved.

The current Covid-19 pandemic is having an unprecedented impact on all of us.  Our community is particularly impacted because of shielding guidance for those who are most vulnerable to infection. 

What we are doing to support our community

With all face-to-face events postponed or cancelled, we are already providing online versions of meet ups and workshops. For example, we are replacing our regional network meet ups with facilitated Zoom calls, allowing our local communities to stay connected with people in their areas. We’ve reached over 1400 people so far though our online events.

We have also created some new online activities for our community, including a book club and film club.  We’ve created some completely new programmes too, aiming to provide the type of connections and support usually found through our residential ‘Great Escapes’ and have so far supported nearly 50 people through these six-week events.

How you can help

If you know anyone living with any type of cancer diagnosis who is in their 20s, 30s or 40s, please let them know about us. As a small charity, we have limited ways to spread the word about what we do and a lot of our members find us through word of mouth.

The pandemic has had a huge impact on fundraising so, if you’re interested in making a donation or supporting us in any way, please do get in touch. We’d love to hear from you at [email protected] or visit our website for more information www.shinecancersupport.org

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Quotes from our community :

 “It’s been lovely to meet up with others who were going through a similar thing. I felt less alone.”

“[Shine events] are always fantastically organised, uplifting, friendly and positive.”

“Shine has been a lifeline for me when I’m struggling.”

“Shine has been a great way to connect with others. I love the vibe and approach. Everyone is so friendly!”

Top Film Star Shocks Local DJ With Surprise Message!

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When Steve Harris, DJ of the BBC’s Dorset Breakfast show, put a call on Twitter for a way to contact Russell Crowe, he didn’t actually expect an answer.

“I met Pip Hare on her boat last summer for a story for the radio about the Vendee Globe race and was instantly impressed by her” Steve said. “She’s a force of nature; very charismatic, and she’s made this race happen (or at least her part in it) through sheer force of will. I have enjoyed sharing her story with my listeners over the last three months, and with her birthday coming up I just wanted to do something special.

So I started approaching people to record messages for her. Sir Robin Knox Johnston was the first person to sail non stop single handed around the world – he’s a friend of BBC Radio Solent so he said yes straight away. Sir Ben Ainslie and Dame Ellen MacArthur were only a lilttle harder to track down – but as soon as their people heard it was for Pip, they couldn’t have been more accommodating. However I never expected Russell to work out…”

I was watching the Twitter thread as it built, and was amused by the ironic interaction between Steve and journalist Katie Clark:

Ha ha, we all thought. Steve agreed it was a long shot
“I was hoping that someone on Twitter might know his cousin or something random, just a way that I could get a message under his nose inside a 48 hour time frame. But I didn’t expect a reply. I mean, how many messages do even minor celebrities get asking for help or publicity for genuine good causes? And here’s me, a complete stranger, asking for him to send his best wishes to another stranger. I knew it was unlikely he’d reply.”

But then, less than an hour after Steve tweeted, I actually gasped as this popped up in my timeline:

Steve was astonished “So excited, but also a little concerned. Was he really asking if he could help? And what if my 280 character pitch wasn’t good enough? Would he just stay silent? Would he let me know he wasn’t interested?”

So he used all the space Twitter allowed and pitched his best shot:

Silence followed. Those of us watching kept checking… And then, just minutes later…

Steve was suitably thrilled – but more so for Pip than for his own success.
“It’s crazy isn’t it? I mean, Russell Crowe! If you watch the video carefully, there’s his Gladiator helmet in the background, there’s an Oscar, and a Bafta and god knows what else. This guy has been a huge deal in the international acting scene since I was in short trousers.

But it seems fitting. Pip’s story is so impressive, and Russell seems like a good egg; it’s nice that the story gets this kind of ending.”

Steve knew from previous conversations that Pip is a huge Russell Crowe fan – and withhis role as Captain Jack Aubrey in the film Master & Commander: The Far Side of the World he seemed like the perfect person to send birthday wishes to Pip after a gruelling few months at sea. Steve had planned to surprise
Pip with the message i a love broadcast on Friday morning’s breakfast show: but of course social media isn’t exactly a secret space, and the news soon spread.

As the tweeted video’s reach snowballed into the thousands, Steve feared his magnificent surprise would be blown before he had a chance to contact Pip. So he shared the motivating video with her as soon as he could, and she recorded a reply herself (which Russell Crowe has since re-shared).

Social media is often declaimed as a toxic mess of nastiness. But here it is at its finest – stretching across all barriers simply to connect people.

You can continue to follow Pip’s journey on her blog here.

Pip Hare, 46, a professional sailor from Poole, is taking part in the Vendee Globe, the toughest test in sailing. She is at the time of going to press lying in 20th position – you can read her story of the race so far in the Guardian here.