It’s easy to sit in a pew on concert night, glass of wine in hand, and let the music wash over you. But behind every polished performance lie weeks of unseen preparation, laughter, effort – and a lot of sheet music. Richard Nye, a Dorset-based composer whose works have been performed internationally and broadcast on BBC Radio 3, is choirmaster of the Gillingham Singers. Here, he lifts the curtain on a typical rehearsal, as the choir prepares for a spring concert of choral favourites and looks ahead to a world première:
As the car pulls up at Wyke Primary School in Gillingham, we can already see chairs being set up in the hall. The weekly practice begins in 15 minutes, so there is plenty of time to get things ready … or so I thought. My daughter Rosie picks up the extension lead for the piano, my wife Heather carries the water bottles, and I carry the music stand. We all have our own bags full of sheet music. As we enter the hall, there are the usual cheery greetings as chairs continue to be arranged. The choir secretary, Carole, shares some updates for our forthcoming concert, including the good news that tickets are now being snapped up. Hilary, the choir chair, rearranges a seat before coming to check that all is well – something she does every week. This evening we end up talking about logistics and how we are going to fit a string group in front of the choir for our next concert. We both very much like the name the new string group have chosen, and now it’s just about making sure plans are in place so that everything goes smoothly on the day. Before I realise it, the clock is showing 7:13pm – we have a tight schedule and need to start singing at 7:15!

Rehearsal drills
Our rehearsal is a busy one. After a warm-up, which includes stretches and breathing exercises, we run through a pre-planned practice programme. Each week I email the choir with a list of the music we’ll tackle the following week, accompanied by any notes and links to suitable recordings. This regular contact allows members the opportunity to practise at home, and the choir have embraced this approach. It makes such a positive difference.
Warm-up over, we begin the practice. Music at the start may be pieces that require some attention from the previous week. A tricky section may need looking at again, or it might be that we all just need to feel we’ve now ‘got it’. We then move on to some challenging works – and those are the tricky moments. Stopping for regular water breaks and a breather, we move forward.
David, the choir’s wonderful accompanist, moves from keyboard to the choir’s bass section as we go from piece to piece. The Spring Concert has quite a few unaccompanied pieces this year, and David is a very welcome vocal addition as we run through a madrigal, followed by David Ogden’s wonderful setting of Were You There?
The choir are providing all the soloists for this concert, which means we can rehearse complete sections, fine-tuning entries and making sure the balance works for everyone.
Our busy practice ends with a warm-down (singing something short that we know as a complete ‘performance’) before tidying the chairs away again and locking up.
Long in the planning
The week’s rehearsal might be over, but work for the choir continues. The following day the committee meets. This group of members works hard behind the scenes: organising and running fundraising events, planning future concerts, and ensuring that funds are directed to keep the choir running as it should. The Spring Concert in May was planned last year, and as MD I share thoughts on how it might look. Then, with the help of everyone on the committee, we start to build a picture that everyone can see. We are very excited to be including a string ensemble this time, which will accompany us as we sing Fauré’s beautiful and well-loved Requiem. The vocal solos in this work are well within the reach of our singers, and we have some lovely voices in the choir – those moments will be very special.
This planning and support includes everything from organising the music to running the website and social media – and it’s essential, as we are already thinking ahead.
In November, the choir will be giving the world première of Stars by Stephen Deutsch. This work for spoken voice, choir and electronics has been composed especially for the Gillingham Singers by Stephen, an American composer living in Dorset, who frequently collaborated with the playwright Peter Barnes, in addition to writing scores for the BBC. This concert will take some planning, and the committee are already working on the venue and logistics.
One thing that often comes to mind after a busy practice is how many people have been involved in making it all happen. It’s not just the singing that is very much a team effort. Everyone has a part to play – it would not be a choir without each person being present and contributing – and for me, it’s why choral music-making is such a joy.
The Spring Concert by the Gillingham Singers is on Saturday May 17th at Motcombe Church. ‘Earlybird’ tickets are £10 (£12 on the door) and include a glass of wine.
For tickets please contact Carole on
07572 786416
More details can be found at the choir website: gillingham-singers.org
Stephen Deutsch’s website can be found at stephen-deutsch.com
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