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Repurpose the revolution

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Jennifer Morisetti has sparked a grassroots fashion movement in rural Dorset rebelling against fast fashion and our throwaway culture

Jennifer Morisetti – veteran, designer, builder, farmer, needle-woman … and founder of Hawkers Re-Creatives – image Courtenay Hitchcock The BV

‘I joined the Navy and spent ten years there,’ says Jennifer Morisetti. ‘Not exactly the obvious route into sustainable fashion, is it?’
Jennifer is the founder of Defashion Dorset, a growing movement that’s tackling fast fashion at a grassroots level – right here in rural Dorset. From her home at Hawkers Farm, near East Stour, she’s building more than a brand. It’s a space for conversation, creativity … and quiet rebellion.
‘I grew up in Dorset – Dorchester, Parkstone, West Parley,’ Jennifer says. ‘When I married and left the Navy we decided to live in Dorset but in the north of the county.’
The farm itself is part of the story. ‘It was semi-derelict when we bought it. It had been a dairy farm, but wasn’t viable anymore.
‘So I began restoring it – the hedgerows, the orchard, the biodiversity. We’ve planted trees, reintroduced habitats, and installed a ground-source heat pump. That sense of regeneration, of making something live again, inevitably runs through everything I do.’
Including, of course, fashion.

All images: Courtenay Hitchcock The BV
A bundle of sari fabrics awaiting repurposing for Jennifer’s Wabi Sabey project: upcycled saris and redesigned clothes for sale – image Courtenay Hitchcock The BV

Defashion Dorset
‘I’ve always made my own clothes. When I was 14, I didn’t have money for new things, so I started cutting up old dresses. Granny’s Attic in Bournemouth was my favourite place – 1920s, 30s, 50s dresses … I’d repurpose them while I taught myself how to sew.’
During lockdown, Jennifer looked at the disused milking parlour on the farm and had an idea. ‘We were originally going to turn it into an events space – which it is, of course – but I thought, why not use it for workshops? I can teach other people to upcycle, to sew … just to think differently about clothes.’
That idea grew into Defashion Dorset, an event now in its third year. The term ‘defashion’ came from the group Fashion Act Now (FAN) of which Jennifer is a member: “Defashion is a transition to post-fashion clothing systems that are regenerative, local, fair and sufficient for the needs of communities.” – FAN

The barn is the home of Hawkers Re-Creatives, a hub for sustainable fashion. A free drop-in stitching group runs on Thursdays, from 10am to 12.30pm, when attendees can learn how to mend, make a skirt, upcycle a garment, embroider … or just enjoy the company of like-minded people

So what does Defashion Dorset actually look like?
‘It’s a two-day event here at the farm – Friday 16th and Saturday 17th May this year. There are talks, drop-in workshops, and selected exhibitors. One speaker is bringing knitwear made using wool from Tamarisk Farm in West Bexington alongside samples of cloth dyed using waste bark from Somerset orchards. It’s about using what we already have. Brigitte Kaltenbacher of Beekay Makes will be joining us on Sat 17th, talking about her project to grow flax and make a pair of jeans from the fibre. She will also be demonstrating how to make nettle fibre. That kind of local innovation is so exciting.’
Jennifer’s goal is simple: to inspire.
‘I want people to imagine a local clothing culture. Dorset farmers produce fleeces that often go unused. Why not make use of them? Wear more wool. Buy better. Buy local. Buy second-hand.’
But there’s a harder edge to her passion too – a concern about the scale of waste and its impact.

Jennifer with Lynne Franks (right), who was a guest speaker at DeFashion Dorset in 2024
The barn is decorated with fabric crafts and art projects

Not a dumping ground
‘Over 100 billion garments are made every year. That’s more than the number of people on the planet. Most are made to fall apart. Only 30 per cent of clothes donated to charity shops are actually sold. The rest? Burned. Buried. Or shipped to Ghana to rot on a beach. We’ve got to stop that.’
Jennifer doesn’t just talk. She organises, recycles, and repurposes. ‘I’ve got piles of clothing sorted here – some will be going to Ukraine, some to a new charity shop in Shaftesbury, some to the Wardrobe Foundation. I’m happy to advise people where to send their clothes. I want to keep clothes out of landfill.’
Hawkers Re-Creatives holds a free weekly sewing session at Hawkers Farm – Thursday morning drop-ins where anyone can bring a project or learn something new. ‘There’s no fixed cost – just a donation if you can. We’ve got machines, overlockers, fabric, knitting needles, even a tabletop loom on the way. I just want people to use the space.’

And Jennifer’s calling for some more help. ‘I’d love to run after-school clubs, or get more groups using this place. But I simply can’t do it all myself. Volunteers would be so welcome.’
So what’s next?
‘I’d love to see more hubs like this across the country. There’s already a national Sustainable Fashion Week – Amelia Twine, who organises it, is speaking here in May. Last year, I ran satellite events across Dorset: clothes swaps in Sherborne, Shaftesbury, Sturminster … films and talks … It was full on – but brilliant.’
And for those further afield?
‘Start your own hub! Look up Sustainable Fashion Week. Check the Sustainable Dorset website – there’s a really useful textile hub on there, with lots of listings. Join in. It’s growing.’
For Jennifer, this is more than fashion. ‘It’s about change – the way we think, the way we live. And we can all start with what we wear.’

As well as the workshops and events, Jennifer runs the ‘Wear Me Out’ clothing library of occasion clothes, with a variety of outfits for weddings, parties and special occasions, including handbags and hats

hawkersfarm.org

Four Shaftesbury juniors selected for Dorset Cricket Pathway

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Shaftesbury cricket club is celebrating the selection of four young players for the prestigious Dorset Cricket Talent Pathway. Max Moore (U10s), Jayden Keulemans (U12s), Lucas Bradford (U15/U16s), and Marina Pool (Girls U13s) will represent the county this summer.
Marina makes history as the club’s first junior girl selected for the pathway – Head of Junior Cricket, Tim Bradford, says: ‘Their hard work has paid off, they fully deserve this opportunity. Marina’s success shows we’re heading in the right direction, and we hope it encourages more girls to give cricket a go.’
The club’s junior section has grown rapidly since restarting eight years ago with just six players. Today, more than 70 children attend Friday evening sessions.
Shaftesbury CC’s All Stars Cricket returns in 2025 for ages 5–8, starting Friday 23rd May. Junior training (ages 5–15) begins Friday 18th April. To to get involved, email Tim on
shaftesburycricket@outlook.com.

sponsored by Wessex Internet

Eggs, Anger and Artisan Chocolate

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Shrinking Easter eggs, three buses and a chocolate artist in Wimborne
It’s April, the Easter chocolate’s out (if you can still afford it), and Dorset Council has launched a ‘visionary’ transport plan that gives North Dorset… three Saturday buses. Hurrah?

From grumbles and glorious letters to chocolate-making wizardry, this first episode of the month is warm, witty and quietly furious in all the right places.
(just hit play below to listen)


Editor’s Letter 

Editor Laura Hitchcock reflects on The BV’s national award shortlist nod, the return of the Glanville foals, and a must-read piece by George Hosford on the collapse of the SFI scheme.
“George writes with a barely contained fury that’s impossible to ignore – and entirely justified.”


Letters to the Editor: From Walkers to Farmers

This month’s postbag takes in the White Hart Link, elderly drivers, and the ever-divisive meat tax debate.
✅ Readers heap praise on the Dorset Insider
✅ Farmers ask not to be demonised for raising livestock
✅ Environmentalists say it’s time to face the facts
✅ A walker wonders why Blandford and Sturminster are skipped by a local trail
✅ Margaret F from Milborne Port concurs with last month’s letter writer on the risk of elderly relatives driving longer than they should – but fears there’s no easy solution: “Until we fix rural transport, we’ll keep having quiet crises on country roads.”


The Grumbler: Three Buses and a Vague Promise

This month’s writer of our anonymous column isn’t buying the glossy headlines around Dorset Council’s new transport plan.
“North Dorset gets the long-awaited return of three Saturday services. No weekday buses. No evening buses. No progress. Urban voters see improvements. Rural ones see spin.”
This is rural Dorset’s reality – a county divided by postcode and prioritisation.


Chocolate from Dorset

The Little House’s Easter Egg this year

Dan Crossman and Anna Rakasa of The Little House artisan chocolatiers in Wimborne share the realities of running a luxury business in a time of cocoa chaos.
“Three years ago, we paid £70 for 10kg of chocolate. Now it’s £170.” – Dan
“We matched flavours and colours to women in history – a chocolate homage.” – Anna

From flavour alchemy to corporate commissions in bespoke colours, this duo are flying the flag for creative, sustainable Dorset chocolate – one beautiful Bon Bon at a time.
“We pause production in summer – our workshop isn’t air conditioned, and chocolate is fussy.”

thelittlehousedorset.com



These stories are all based on pieces from April’s BV, available to read here. News, farming, art, food, politics, wildlife, letters, horses – and photography that’ll make you pause.

The BV: Best Regional Publication in the UK (ACE Awards) and Regional News Site of the Year (Press Gazette) 2024. Free to read, packed with Dorset, and impossible to put down.

Abbey104 Album of the Month: Georgie by Twin Shadow

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George William Lewis Jr refuses to be pigeonholed. A novelist, fashion muse and actor, the Dominican born (but Florida raised) artist slips between his various pursuits with consummate ease. But it is his work as solo artist Twin Shadow which really stands out.
Through his five previous LP’s, Lewis Jr has cycled through electro-indie pop, gospel, soul, minimalist pop, RnB and experimental pop in a manner at times thrilling but often chaotic. His sixth album Georgie, however, is the first time he has settled into a sound and a mood with its own distinct identity, and in doing so has produced one of the years finest records so far.
The experimentalism is still there, but it is restrained and contained in such a way that it serves the songs rather than defining them. From the first bars of opening track Totally Blue, the stripped-back arrangement of traditional church organ and modern auto-tuned vocals creates a soundscape which manages to feel both familiar and new. Elsewhere, Good Times features a lead electric bass reminiscent of the opening of 9-9 (from R.E.M.’s 1983 debut Murmur), Geor(g.i.e.) reinforces its classic 1980’s credentials by making tasteful use of an effect best describe as ‘stretched cassette tape’, and Headless Hero employs a Paper Kites-esque guitar arpeggio against clashing synths to excellent effect.
While at times the lyrics here offer little more than standard pop fare (“But how come when I’m thinking of you now it’s only the good times”, “As soon as you leave me and I’m out of time will you do it tenderly”, “You know the cost, we know the reasons why, oh why”), they are delivered with such conviction, and with such beautiful melody, that this does little to lower the enjoyment of listening through such a rewarding set of songs. 4/5 stars.


Matthew Ambrose presents Under The Radar on Tuesday evening at 7pm on Abbey104. Broadcasting on 104.7FM and online at abbey104.com.

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Sewage, funding, saving lives

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Edward Morello MP for West Dorset

Dorset and Somerset Air Ambulance celebrated its 25th anniversary on 21st March. In that time, they have flown more than 29,000 missions and saved countless lives. To honour this important milestone, and to show my gratitude for the dedicated service of their members, volunteers, and supporters, I have laid down an Early Day Motion in Parliament so that the whole House can recognise their hard work.
Dorset and Somerset Air Ambulance survives entirely thanks to the support and donations from our community. However, demand for their help now outstrips the amount they raise each year. Last year they were called out 3,000 times, compared with 800 missions in 2016. If we are to keep this vital and life-saving service, we will need to help them raise more money going forward. I will do everything I can to help.
This week also marked another milestone as I submitted my 400th written question. Being a Liberal Democrat and having campaigned hard on the issue it will come as no surprise that the question was about sewage! In this case, I asked what the Department for the Environment was doing about sewage discharge at Lyme Regis and Charmouth. Depressingly, despite what we all know about the amount of sewage in our rivers and beaches, I discovered the Environment Agency is not currently pursuing any enforcement action against the water companies in the Lyme and Charmouth area. It’s something I will be raising with the Environment Agency.
My last act before heading to the Liberal Democrat autumn conference in Harrogate was to speak in the debate on protections for coastal communities. West Dorset is proudly home to the world-famous Jurassic Coast. However, like many coastal and rural communities, we are often overlooked by London governments and suffer from gross under-funding compared with urban areas. One of the proposals we are lobbying the Government about is the appointment of a dedicated Minister for Coastal Communities to help ensure a better deal for areas such as ours, and to address the funding imbalance so that we can get the vital services we need.
Edward Morello
MP for West Dorset

What’s the story, Stur?

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For a small rural town, Sturminster Newton is attracting some seriously big literary hitters. This June, Damien Lewis, Tracy Chevalier, and Natasha Solomons are among the headline acts for the Sturminster Newton Literary Festival – a ten-day celebration (6th to 15th June) of books, words, ideas, and community.
Now in its sixth year, Stur LitFest continues to grow, with a packed 2025 programme including over 20 events, from scenic walks and author talks to a writing competition and cultural activities celebrating both local and international voices.
There’s international flair too – the festival will be part of a UK book launch by Australian writers Jonathan and Christine Hainsworth, whose research has uncovered the story of Susanna Ashley-Cooper, 4th Countess of Shaftesbury, who championed the original (and uncut!) Shakespeare plays in the 1740s.

Other programme highlights for 2025 include:

  • Damien Lewis, military historian and author of The Ministry of Ungentlemanly Warfare bringing to life daring SAS escapes
  • Internationally acclaimed author (and North Dorset resident) Tracy Chevalier on Venetian glassmakers and Sturminster artist and suffragette Mary Lowndes
  • Adventurer Jessica Hepburn, the first woman to run the London Marathon, climb Everest and swim the Channel
  • Rachel McLean and Tess Burnett, award-winning crime writers with a West Country twist (Rachael will be discussing How to Find a Dorset Location to Dump a Body, which is always useful to know)
  • Greg Duncan on his family’s links to the French Resistance
  • Lorraine Gibson delving into the glitzy fashion of Elvis Presley in what would have been his 90th year

The programme also honours local legends Hardy, Barnes and Young, celebrates new writers, and includes a special event aimed at welcoming the local Bulgarian community.
Tickets and full programme: sturlitfest.com

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The house that became history

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From a burgage plot to the woman who installed plumbing– looking back at the evolving centuries of stories of Wimborne’s historic museum

1912 – Coles Ironmongers: note the the old stationery shop has now been incorporated into the whole frontage.

As readers of The BV will know, the museum on Wimborne’s High Street has always been more than just a building. It’s a place where East Dorset’s stories live on – from grocers and ironmongers to wartime friendships and Victorian silks. And while the name above the door may have changed, the spirit inside remains deeply rooted in the town’s history.

Biggest on the High Street
The house itself dates back to the late 1200s, when it first appeared as a “burgage” plot – land leased by the Lord of the Manor to a local burgess (one of the town’s wealthier residents).
It’s believed today’s building may sit on an even earlier structure, though no evidence has been uncovered … yet.
By the 1500s, a one-storey hall house fronted Wimborne’s main street. Over the next century, it grew: wings were added, a large central fireplace built and the entire structure was raised two storeys between 1625 and 1675. A map from this era shows it as the largest building on the High Street after the Minster.
In 1687 Stephen Bowdidge took on the lease, and his son John moved in. When Stephen died in 1694 his will carried a threat of disinheritance for his son if he failed to provide a legacy for his sister Elizabeth.
But by 1709, John Bowdidge had run up considerable debts and was forced to sell the lease on the house.
Thomas Barnes, a local cheesemonger, moved his business in, paying ten shillings, the equivalent of a week’s wage, for his part of the house.
Over the next three centuries, this High Street landmark moved through a number of
incarnations – the building has always been a constantly evolving space of business and domestic life.
In 1746 Christopher King took over the lease from the Barnes family, and he and his wife Elizabeth opened a shop selling wool, velvets and imported silks. The Kings enclosed the front courtyard and also installed sash windows on the first floor of the south wing.
When Christopher King died, he left his business interests in the property to Elizabeth, who swiftly had a new kitchen built and a new lead water pump and plumbing installed!
Elizabeth was succeeded by her and Christopher’s son, William, and on his death in 1790 the lease was taken on by William Butt, a draper and grocer. He lived and worked in the building until 1825, and under his care the house once more underwent extensive renovation, creating more living space on the first floor and additional business storage.

This image is undated. However we know it was taken after 1883, as Coles is now the name over the door of the ironmongers, but, as the stationery shop (on the left) is still boarded up, it must be before the death of John Low in 1901

The Low empire
In 1837 William Low took on the lease of the main building and ran his stationers, bookshop, printing and tobacco business from the north wing (the south wing continues to be identified as a separate property). The former courtyard area became a grocer’s shop. The Lows built up a family empire: an 1846 tithe map of Wimborne shows William Low owning the main house, garden and orchard as well as other plots of land down to the river. The 1851 census lists William and his three sons in the household, all in different parts of the family business:
William Low (64) bookseller and grocer
William Low (34) printer
John Low (29) grocer
Edmund Low (20) bookseller
Jane Woodford (9) niece
William’s second son John inherited the estate on his father’s death in 1871. For reasons no one knows, the following year John Low closed the stationers business in the north wing, with instructions that the shop should not re-open in his lifetime.
The same year, Thomas Coles – who had married John Low’s niece, Jane – took on the lease of the main premises and opened Coles Ironmongers. By the 1881 census, only the Coles family lived in the building, and in 1883, Thomas Coles bought the main property outright.
The Coles name would remain on the building for more than 70 years.

1937 – Coles ironmonger’s shop decorated for the Coronation of George VI. The display won first prize

The Priest’s House
Interestingly, it was only in 1889 that the term Priest’s House first appeared on an Ordnance Survey map – and even then, it referred only to a part of the building. There’s no historical evidence of any priests living there, and the name has always been more evocative than accurate!
In 1901, John Low – the original owner of the stationery shop – died. In the same year, Tom Coles (junior) married Blanche Cox, the butcher’s daughter.
They took over the stationer’s shop – and they found all the old original stock still inside, including a large collection of Valentine’s and Christmas cards. Tom expanded the family’s ironmongery shop into the old stationer’s premises.
Tom and Blanche’s daughter Hilda was born in 1907.
During the 1930s, Barak Abley opened a gentleman’s outfitters in the separate south wing building, and his daughter Mary became a firm and lifelong friend of Hilda Coles. They both served in the Women’s Royal Naval Service in Invergordon, Scotland during World War Two.

1962 – this photo was taken shortly after the Priest’s House was converted to a museum. Hilda Coles is standing on the pavement

A new chapter
In 1953, Tom Coles died, and Hilda took over the family ironmongers. Less than a decade later, in 1962, the building began its newest chapter – as a museum. Hilda Coles, known to all as Mick, closed the ironmonger’s and offered the ground floor to Wimborne Historical Society. Some locals were unimpressed. “What Wimborne needs,” they insisted, “is more shops – not a dusty old museum.”
But Hilda had vision – and conviction. On opening day alone, more than 1,000 people came through the doors. Many exhibits were curated from the old shop stock – thanks to John Low, the museum has one of the finest collections of Victorian Valentine’s cards in the country – and a vast collection of local artefacts that had long been waiting in storage for a museum of their own.
Through the decades, the museum has grown – both in scope and in stature.
In 1990, three years after Hilda’s death, a major restoration added ten exhibition rooms. In 2012, National Lottery funding enabled the creation of the Hilda Coles Open Learning Centre, with its tea room, study space and collections storage.

1962 – When The Priest’s House Museum opened, it was just three rooms of the house

Museum of East Dorset
After 300 years of being split up and owned by different families and businesses, in 2020 the town house was finally reunited. It also underwent yet another modernisation, bringing the museum into the 21st century with purpose-made, museum-grade display cabinets, environmental controls and improved access for the disabled. After a full-scale £1.8 million revitalisation – again, largely funded through grants and national support – the museum reopened as the Museum of East Dorset. The new name, like the refurbishment, was thoughtfully chosen. As chairman of the Board of Trustees David Morgan explained at the time:
‘Letting go of the name Priest’s House Museum was a decision we came to after a great deal of consideration. While it was well known – even well-loved – locally, it did not resonate outside the town and the religious connotations were confusing visitors.
‘The name Museum of East Dorset reflects the museum’s collections area, and celebrates its important role curating, celebrating and sharing the history of the wider region.’
That broader scope is key. The museum’s collections now include more than 35,000 items – from archaeological finds to rural craft tools, period clothing to childhood toys – all gathered from across the towns and villages of East Dorset.
It’s not just a Wimborne story … it’s a regional one.
Today, the Museum of East Dorset is a blend of its long heritage and modern engagement. Its new logo – an echo of the old Coles signage – and dark green walls echo the house’s past while embracing its future. In Wimborne, a house that began as a simple burgage plot 800 years ago continues to serve its community – just as it always has.

sponsored by The Museum of East Dorset

Three buses and a vague promise

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I see Dorset Council has unveiled its latest grand plan for public transport, complete with “exciting” projects, a “real opportunity” to improve services and even a shiny new electric vehicle trial. There’s talk of environmental goals, visitor benefits and “vital first steps” towards a zero-emission fleet. All very visionary.

But there’s rather a disconnect between the council’s triumphant language and the underwhelming actual provision for rural North Dorset. It’s essentially a bold headline backed
by … three Saturday buses and vague promises.
While Weymouth will see buses every 15 minutes, Dorchester gets an upgraded weekend link and even Bridport’s connections are improved. North Dorset – with our scattered villages, ageing population and deeply limited transport options – is gifted the long-awaited return of three Saturday services on the CR2, CR3, and CR6 routes. That’s it.
No weekday services. No evening buses. No real progress on the “accessibility” or “connectivity” the council has assured us are priorities.
And as for the single electric minibus pilot …
there’s no word yet on where it’ll actually operate, but I think we’re all fairly certain that it won’t be humming between Sturminster and Shaftesbury any time soon.
This, apparently, is what ambition looks like in the north of the county.
Of course, urban centres need functioning public transport too. But the disparity is galling. North Dorset residents were vocal during the public consultation for the county’s Local Transport Plan. I believe better buses were the number one request. And yet, the latest Bus Service Improvement Plan offers them little more than a pat on the head and a Saturday ride into town – as long as they don’t plan on staying out too late.
Councillor Jon Andrews, Cabinet Member for Place Services, says the council wants to do more – that they’re working hard to ssecure fairer funding and that Dorset received the fourth lowest revenue allocation in the South West. Fair point. But this doesn’t explain the internal prioritisation decisions. The council still chooses to funnel what funds it did receive into a handful of high-profile towns, leaving the rest of the county peering wistfully from behind the hedgerows.
It’s also hard to ignore the optics.
Urban voters see improvements: rural ones see spin. And everyone sees the headlines – ambitious! sustainable! electric! – which, when set against the reality of living in much of North Dorset, feel more like a marketing campaign than meaningful policy.
This matters. Not just for convenience, but for community. As The BV reported last month*, a functioning, fair public transport system isn’t a luxury – it’s the lifeline that lets non-drivers access work, education, healthcare and social connection. It’s what makes rural living viable for the young and the elderly alike.
So yes, the new plan might tick some boxes. It might look good in Westminster reports and social media posts. But for much of North Dorset, it’s not a vision of progress. It’s a stark reminder of what we’re missing – and how far we still have to go.
In the meantime, set your alarms early. The Saturday bus waits for no one.

*Stranded: Dorset is one of the worst in the country

The Grumbler – the open opinion column in The BV. It’s a space for anyone to share their thoughts freely. While the editor will need to know the identity of contributors, all pieces will be published anonymously. With just a few basic guidelines to ensure legality, safety and respect, this is an open forum for honest and unfiltered views. Got something you need to get off your chest? Send it to editor@bvmagazine.co.uk. The Grumbler column is here for you: go on, say it. We dare you.

Castle Cary Choir turns 60!

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Yes, Castle Cary Choir really is that old – and they’re celebrating in style. The choir’s anniversary celebrations begin with a home-ground concert at All Saints Church, Castle Cary, where they’ll be joined by the Wincanton Silver Band on Saturday 12th April at 7.30pm. The concert is in aid of the church, with tickets priced at £10, available from Bailey Hill Bookshop, the Market House Information Centre in Castle Cary, or online via Ticket Source on the All Saints website castlecaryallsaints.org.uk

Saturday 31st May at Sherborne Abbey, where the choir will be joined by three professional musician friends: Tom Toomey (guitar), Marta Fontanals-Simmonds (soprano) and Adelaide Brown (flute). Proceeds will support the new Maple Ward Breast Cancer Unit at Yeovil District Hospital, with tickets (£10) available from the Abbey Parish Office and Bailey Hill Bookshop. A retiring collection will be split between the Abbey and Maple Ward.
As ever, the choir’s programme spans genres – from musical theatre and original compositions by Musical Director Martin Emslie, to traditional choral works, sacred music and specially arranged spirituals.
Castle Cary Choir is a four-part community choir and a registered charity. They are always pleased to welcome new members in all voice parts – no choral experience or sight-reading ability required. Rehearsals are on Mondays at the Methodist Church, North Street, Castle Cary, from 7.30pm to 9.30pm.
castlecarychoir.org

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