After a five-year fundraising campaign led by Yeovil Hospital Charity, the new Maple Unit – Yeovil Hospital’s first-ever stand-alone, purpose-built breast cancer unit is open. The campaign, launched in March 2019, saw support from the community, former patients and hospital staff, with hundreds of fundraising events helping to raise nearly £2.9 million to bring the unit to life. Fundraising efforts are still ongoing, with Yeovil Hospital Charity continuing to collect unwanted and broken jewellery and watches – a campaign that has already raised more than £210,000 – for much needed funds for other areas of the hospital. Most donations are sold at Acreman Street Auctions in Sherborne, whose generous support has been invaluable. If you have any unwanted jewellery to donate, feel free to drop it off at main reception of the hospital. Breast cancer affects both men and women at any age, bringing devastating challenges not only for those diagnosed but also for their families. This new unit will provide life-changing care and support for local residents facing breast cancer.
The Grumbler – the open opinion column in The BV. It’s a space for anyone to share their thoughts freely. While the editor will need to know the identity of contributors, all pieces will be published anonymously. With just a few basic guidelines to ensure legality, safety and respect, this is an open forum for honest and unfiltered views. Got something you need to get off your chest? Send it to [email protected]. The Grumbler column is here for you: go on, say it. We dare you.
The Grumbler – BV magazine
Oh, look – another Town of Culture has been crowned! This time it’s Wimborne for 2026, given £30,000 to ‘celebrate culture’ and, supposedly, benefit the community. It seems I have officially entered my Grumpy Old Woman phase, because this just rubbed me the wrong way when I saw it. Why is it always one town at a time? What about the rest of Dorset? Why are we being asked to clap along while one place gets all the attention, and the rest of us are left with nothing more? Dorset is packed with culture from coast to countryside. Thomas Hardy, William Barnes, local theatre groups, festivals, music, art – we’ve got it all. But instead of celebrating that as a whole, we’re pitting towns against each other like it’s some bizarre talent contest? And for what? A few one-off events that come and go, leaving barely a trace? Take Bridport, for example, which held the Town of Culture title in 2024. It had a Quilt Walkabout, Small World Festival, some exhibitions, and a literary festival – very nice, if you live there. But what difference did it make to those of us in other parts of Dorset? Did my little village get a travelling theatre or a community arts project? Did local children suddenly get new opportunities in the arts? No. It all stayed in Bridport. And now we’re expected to believe Wimborne’s turn will somehow be different? And let’s not forget Portland and Weymouth – they’re ‘it’ this year. It will be astonishing if Portland enjoys any economic benefit from this title. I expect the main winners will be the same people who always benefit – not the locals struggling to get by, but the organisations pocketing the funding for ‘consultations’ and ‘strategic planning.’ And then there’s the money. £30,000 might sound like a lot, but a quick look told me that Dorset Council has already handed out £1.45 million over three years to 28 cultural organisations, including museums, theatres and rural touring companies. So, if Dorset is already doing so well supporting the arts, why are we pitting towns against each other? Shouldn’t we be thinking bigger? Maybe there should be a proper levelling-up plan that supports the cultural deserts of rural Dorset – but wait, we already have Artsreach, which does a brilliant job bringing theatre and the arts to forgotten areas on a shoestring budget. If culture really needs investment, why not give it to them instead of creating another shiny but short-lived title? Meanwhile, the rest of us are dealing with rising costs, disappearing public services, and food banks busier than ever. If Dorset Council has £30,000 spare, why not keep libraries open. Support community spaces. Help families who can’t afford music or art classes for their kids. I love the arts, but I’d also love to know I can pay my energy bill next winter. This Town of Culture idea might have started with good intentions, but it feels like little more than an expensive PR exercise, decided behind closed doors with no input from the people who actually live here. Instead of playing favourites, let’s talk about what would really make a difference – culture that belongs to everyone, all the time, not just those lucky enough to be in the right postcode when the money rolls in.
It had seemed like such a good plan, but somewhere between tests two and eight, Jess Rimmer started questioning her life choices …
Hello BV! January has absolutely flown by, which is quite refreshing after the seemingly never-ending darkness that was December. The horses are getting fitter all the time, meaning we’ve been able to get a little more stuck in with the training for the 2025 event season. They have all just started jumping in the arena, as well as doing their first bits of steady canter work on the gallops. My goodness, does it feel good to be back actually doing stuff again! Now, I think it’s become quite apparent that I would pick cross-country as my favourite discipline without a second thought. However, until the ground dries up and the horses get fit enough for their pre-season cross-country training, it’s all about the dressage and showjumping (yawn!). Showjumping shows do make for a nice day out, and I usually get my adrenaline fix in the form of a jump-off or two. I’ll be honest, it also helps that our most local venue, Dorset Showground, is right opposite the absolute best service station in the West Country! Dressage, on the other hand … When I tell you I don’t know what was going through my head when I entered not two, not three, but eight (EIGHT, Jess?) dressage tests at Moreton last weekend, I mean it. On paper it seemed like such a good idea – I just thought “hey, if I’m taking one horse, I might as well take them all, it’ll be good practice.” And although I still say that it was good practice for everyone, I did slightly rethink my choices as I gazed longingly at my fellow competitors leaving with their rosettes and cheesy chips, me having completed only my second test out of eight.
Jess Rimmer warming up with Jimmy All images: Courtenay Hitchcock
Me, me, me … and also me Moreton does a brilliant class for us eventers as part of their unaffiliated dressage show, where we can enter and pick any British Eventing dressage test we like for each horse. This is great, as British Dressage tests run a different routine from the Eventing ones, so this class enables us to practice the exact movements we’ll be doing throughout the coming event season. However … it meant there were nine entries in the class – and I was eight of them! I entered Jimmy, Max, Elsa and Henry for two tests each. Not content with competing against each other, they were also going to compete against themselves!
‘Jimmy must have been a Hollywood film star in a previous life. He just pricks his ears at the judge, and says “Everybody! Watch me!” … despite being the youngest, least experienced and gangliest horse of the bunch’
Four tests First up was Max, who was incredibly pleased to be out and about. He is such a smart mover and has come out so much stronger this year, so I was excited to take him down the centre line for the first time. All in all, he was a good boy – but when he gets excited, it’s a bit like he’s put a pair of Ultra-HD goggles on – he sees literally everything in super high definition. He has definitely NEVER seen his own reflection in the judges’ box before, and who on EARTH put that flower pot there? Max quickly overcame his “fears” (as he claimed they were, with a smirk on his face), and produced some quality work to get the ball rolling. Next up was Henry, who, as we know, often puts his head in the sand (like an ostrich) under pressure. I was so proud of him! He stayed much more confident throughout his test, and was rewarded with some great marks. Although if you ask him, the whole experience would have been much better if Jimmy could have accompanied him throughout.
A little Jimmy side-eye, just to be sure we’re still watching
Speaking of Jimmy … I think this horse was a Hollywood film star in a previous life. He just turns down that centre line, pricks his ears at the judge, and says “Everybody! Watch me! This is going to be the best test anyone has ever see-e-een!” – entertaining, when you consider he is the youngest, least experienced and definitely the gangliest horse of the whole bunch. Last, but certainly not least, was Princess Elsa. She thought Christmas had come early (or late?!) and was just SO pleased to be there. I do have a sneaky feeling she’s been there for the jumping shows more frequently than the pure dressage … but she completed both her tests with a happy grin on her face nonetheless. Although I did have to remind her that, unlike jumping, dressage is not supposed to be against the clock!
Jimmy turns down that centre line, pricks his ears, and says “This is going to be the best test anyone has ever see-e-en”
And so, without further ado – the final placings … drum roll please … Nah. I’ll leave that for you to decide. The results just weren’t particularly relevant on this occasion. For a first outing, I’m really pleased with all four of them: they all demonstrated improvement in their own way, and – most importantly to me – they were SO happy to be back out competing! As was I. Or maybe I was just pleased to get my cheesy chips at the end of the day …
One of the most eagerly anticipated events in the Bryanston school calendar, the A2 Charities Weekend, once again brought the whole community together, raising an impressive £20,000 for both national and international charities. Organised by the Heads of School, the Charities Prefect, and A2 (upper sixth) pupils, the event supported Great Ormond Street Hospital, Child Action Lanka, Ayati, and DBA Africa – all charities Bryanston has worked with over the past year. The weekend kicked off with house-run sweet stalls ahead of the annual Dance Show, followed by a spirited girls-versus-boys hockey match (complete with a choreographed cheerleading intermission). Sunday saw a fun dog show, while the annual fashion show took a new twist, with House Parents and Heads of House swapping outfits. Other fundraising highlights included hamper sales, T-shirt stands and the sale of original fashion designs by two A2 pupils. A standout moment was the My Voice, My Story performance, a collaboration between Bryanston’s Sixth Form and pupils from the Gill Sherlock Memorial School in Uganda. After months of Zoom meetings, the production combined personal stories, reflections on school life and a shared passion for dance, with all the funds raised going towards performing arts equipment for the Ugandan school. Thanks to the generosity of staff, parents and pupils, the event raised more than £14,000 from the Silent Auction alone. Bryanton’s head of charities and outreach, Hannah Fearnley, said: ‘This was a very special weekend, once again highlighting the community spirit and compassion at the heart of a Bryanston education. There was such a buzz across the campus with so many activities raising money for great causes. We’re enormously grateful for everyone’s support.’
The Exchange has a new display space in the Atrium on the lower ground floor. If you’re coming for a show, looking for somewhere quiet to enjoy an interval drink, or just passing though, The Exchange and the Sturminster Newton Heritage Trust have collaborated to bring some of the Museum’s collection to a wider public. Their opening display is of tinware made by Fred Cowley in the very early 20th Century, before his family business developed into the plumbing and heating partnership, still trading in the town 125 years later. Alongside this is a screen showing film from and about Sturminster Mill: it will be running whenever The Exchange is open.
Barnes For All The second space is managed by The Exchange and will show a mixture of local history and what is going on in Sturminster today – an opportunity for local groups to tell a wider public what they do and why. At the moment, and for a few weeks more, there is a display about William Barnes, the Dorset Poet, who started his distinguished life in Bagber, just outside Sturminster Newton. This has been put in place by the William Barnes Society timed perfectly for the popular ‘Tea with William Barnes’, which took place on 23rd February. This event, brought into being by Artsreach, is an annual celebration of Dorset culture, proudly hosted by The Exchange, and it sells out well in advance every year. It is also live-streamed across the British Isles and over the Atlantic. The event includes historic folksongs and tunes collected from the whole county and from the Hardy family songbook, new settings of Barnes’ poetry, traditional work by contemporary musicians and dialect poetry readings. The culture of Dorset is still in good shape, with much credit for that due to William Barnes, whose poetry and learned works have preserved the dialect he grew up with. During the 1850s Barnes was instrumental in the setting up of the Dorset County Museum. Now the Barnes For All campaign is aiming to raise £35,000 to fully catalogue and digitise the Barnes archive and make it available to future generations. Do come and see some reminders of this distinguished local scholar and the other items on display now and in the future – and look out for the celebration of Dorset culture in Sturminster Newton, coming in 2026.
Chocoholics will no doubt be concerned at the recent news there’s a global shortage of cocoa. What will happen to Easter eggs, gift boxes of pralines and that bar that we all love to sneak into our shopping basket? Dorset has several artisan chocolatiers, and we asked two of them how they are affected by the cocoa shortage.
Why is there a shortage? Cacao trees (Theobroma cacao) grow in a narrow tropical belt around the equator, approximately 20 degrees north and south of the (imaginary) line. Cocoa is only harvested once a year, and unlike familiar annual fruit crops such as olives, the trees don’t grow in intensely farmed groves – instead they are interspersed in the shade of larger trees. West Africa accounts for 70 per cent of the world’s cocoa supply, and it suffered with poor harvests in 2024. Farms are being hit by the harshest Harmattan season in six years and extreme drought has led to failed and diseased crops and a short supply. At the same time, demand is rising: countries without a strong chocolate market, like China, are developing a taste for it. John Baxter from Dorset Chocolate, based in Bagber, has worked in the food industry for a long time: ‘I was lucky enough to work with Michelin-starred pastry and dessert chefs. Then I moved to the Cognac region in France. Few places offer full apprenticeships in confectionery now – if you go to some of the larger companies, you are likely to end up in sales. But I made a lot of connections in the industry and that helps. ‘We source our cocoa from farms in South America and we have a long-standing relationship with them. However, it’s all getting very secretive. The big boys in the industry are buying up entire farms! The price of cocoa has been too low for a long time, and it hasn’t moved for a while. In West Africa, cocoa blight has been known about for some time, it’s currently being researched by the University of the West of England. When demand soared, city traders and futures markets began speculating on the price of cocoa and that drove up pricing further, causing more instability.’
The price of chocolate Anna Racaza, from The Little House near Wimborne, started her business in lockdown in Cambridge, after working in patisserie in London for a decade. She and her partner Dan Crossman moved to Dorset and set up the now thriving business together. Anna sources her chocolate from a British ethical supplier. ‘To give you an idea of the rising cost of chocolate, a 10kg bag of 55% dark chocolate was £59 in October 2023. In January this year that same bag cost £111. ‘And of course, cream, butter and packaging have all increased too. There is very little margin for profit in the food industry, and we cater for a very narrow market as well. ‘We make our luxury chocolates by hand, and a box of 12 cost £17.50 three years ago. Today we have to sell it for £24.’ John Baxter sees a wider issue: ‘Bakeries are also struggling with higher energy and staffing costs. I think we will see lots more shops dependent on sugar and flour shut by May. Even the candle making companies are struggling, because they use cocoa butter. In supermarkets you are going to see compound cocoa products to reduce costs.’
Business innovation With higher cocoa costs, businesses must innovate and diversify to survive. Dan Crossman outlined the plans at The Little House: ‘We will not compromise on quality, so we have looked at other ways of working. Luckily, we have very loyal customers who support us – they have been very understanding of the price increases. ‘However, we are increasing our business-to-business work, where we can create bespoke products with branding and colours: businesses often have budgets to pay for this service.’ John has also had to look at how to cut back – and is similarly uncompromising on quality: ‘We’ve just moved into a lovely new factory, so it’s exciting times for us. We will never compromise on quality. It’s the cornerstone of our business. We also use local produce, so I always know where my butter and cream comes from. We might look at adding a little more local honey or honeycomb into a solid bar and using a bit less chocolate. We are looking at reducing our margins, and we are looking at trying a few different products.’
Dorset Chocolate bars are available locally from Folde bookshop in Shaftesbury – just one more reason to pop in Image: Folde Dorset foldedorset.com
Maintaining quality is one issue, but sustainability is not as simply tackled, John says. ‘Fair Trade is not everything. For example, the Ethiopian coffee producers didn’t want to join Fair Trade because they have quality coffee beans and knew they would have to give away seven per cent of their profit margins. Fair Trade is for bigger producers. ‘And is it fair that charity shops, which pay little or no business tax, can sell these products, when small businesses are taxed at a higher rate? I don’t think Fair Trade is fit for purpose for small businesses. What is needed is a fair trade concept for small producers. ‘Keeping our craft alive is the core of the business.’ When you are shopping for your Easter chocolate fix (or any chocolate shopping, for that matter), don’t forget to support Dorset’s local chocolatiers – your taste buds will thank you.
Resident Elaine Greensmith, Colten Companion Kate Seck and Trustees Zilla Brown and Jane Palmer posing in front of the beautiful quilt depicting Sturminster Mill.
Newstone House Care Home in Sturminster Newton has raised £2,441 (and one penny!) for Sturminster Newton Heritage Trust following a year-long partnership in 2024. The trust, which oversees the town’s iconic mill and museum, collaborated with the care home to bring local history to life through events, talks, and a successful Christmas fair. Newstone House, built on the site of the town’s former creamery, played host to a series of afternoon events celebrating Sturminster Newton’s heritage, engaging both residents and the wider community. To mark the success of the fundraising efforts, Home Manager April King and resident Elaine Greensmith presented a cheque to Heritage Trust Trustees Jane Palmer and Zilla Brown. With another charity partnership ahead for 2025, the care home is now setting its sights on surpassing this impressive total in the year ahead.
Born in Ipswich but raised in Oklahoma, and fed an eclectic diet of music ranging from Parliament to Neil Young from a young age, Bartees Strange was always likely to bend genres. But rather than combining multiple elements to produce a unique sound, he has always tended towards a more ‘jukebox’ approach when piecing together his albums, with limited success. But on Horror, his third studio LP, Strange has perfected the art of breaking genre altogether: creating an album which feels more like an expertly crafted mix compilation than a solo record. And while there is a nod towards a concept with a strong lyrical theme (“I get scared of erasure ‘cause it just seems to happen”, “Don’t fear what’s comin’, our blood’s the connection to truth”, “Buckle my knees, for miles afraid of the open road”), the record never feels restrained by its nominal theme of facing ones fears.
The reference points and frequent sharp turns into new sonic territory make the album feel much shorter than its 42-minute running time and satisfy the listener with every new hook. Hit It Quit It opens with a classic Motown drum fill, before blending disco vibes with a four-to-the-floor rock chorus reminiscent of erstwhile Croydon nine-piece Do Me Bad Things. Wants Needs starts like classic Foo Fighters before settling into a hard rock / RnB hybrid. Lie 95 combines Prince’s vocal delivery with an MGMT-style big indie chorus and throws in some Neil Young (“Mining for a heart of gold”), just for good measure. But the highlight of the album draws on much more subtle influences. Baltimore is pure, understated Americana, with an arrangement reminiscent of Cold Roses-era Ryan Adams combining with a melody which would have felt at home on David Ramirez’ high point, 2015’s Fables. It provides the solid perch around which the rest of this stunningly surprising record can spread its wings and fly. The first great record of 2025.
Matthew Ambrose, DJ at Abbey104
Matthew Ambrose presents Under The Radar on Tuesday evening at 7pm on Abbey104. Broadcasting on 104.7FM and online at abbey104.com.
The Dorset Insider is a no-holds-barred column pulling back the curtain on local affairs with sharp insight, unfiltered honesty and the occasional raised eyebrow. Written by a seasoned parish councillor who prefers to remain anonymous (for obvious reasons), it cuts through the noise to expose the frustrations of grassroots politics, and say what others won’t. Rest assured, their identity is known – and trusted – by the editorial team. Expect opinion, candour and a healthy dose of exasperation …
The conference room was soon packed as Dorset’s parish and town councillors flocked into a recent meeting about the forthcoming changes to planning law. While old friends and colleagues were happy for the opportunity to catch up with each other, most councillors were there to assess the impact of the coming changes on their own patch – and how they would have to communicate that to local residents. Dealing with the occasional nimby is one thing, but almost all residents share genuine concerns about how new housing will affect their towns or villages – and particularly its infrastructure. The Dorset Council representatives seemed to have had a talking to from the Deputy Prime Minister’s office. Planning rules are about to be streamlined to make it easy for homes to be built: just how easy that is would reveal itself later. Most Dorset residents understand the desperate need for truly affordable housing in the county. The average Dorset wage is £28,000 and the price of the average home is 12 times that sum. And it’s precisely because Dorset property is so expensive that more homes are required. The current housing target for Dorset is 1,793 units a year – which is about to rise to 3,219 annually. That means that over the next 17 years, Dorset should see an additional 54,725 houses being built. And if no effort is made to reach these targets, the big bad baggy-green-trouser-suited wolf from Westminster WILL intervene. It’s clear that council staff and councillors are under huge pressure to deliver on this ambition. And hopefully it will mean plenty of choice for those looking for affordable homes.
Difficult conversations While some of the more smug parish councillors sat listening, claiming they lived in an AONB so were not allowed to build anywhere (don’t be so sure, mate), others were more concerned about the necessary supporting infrastructure. We heard from a beleaguered councillor faced with 2,000 units on the edge of a small village. Another area had social housing built … and people from the West Midlands had been ‘shipped in’ to some of the homes. We heard real concerns about the non-existent public transport which maroons those living in rural villages unless they can drive. On top of this, at least one new settlement of 10,000 people will be required in each county: where in Dorset will that land, I wonder? With devolution and the super council seemingly inevitable, if one local authority of a group cannot meet its housing targets, then it must look to others to try to provide a solution. This means a lot of difficult conversations between neighbouring counties and conurbations. Dorset currently has its prescribed five-year housing supply – but only until October this year. The clock is ticking. As an aside, I noted that among all the talk there was scarcely a mention of the Nature Emergency declared by Dorset Council last year. When talk evolved to Neighbourhood Plans it became clear that even if a community has one, it would need to be reviewed.
We need a Plan Some parishes without a plan wondered whether there was even any point, given the time it takes to go through the process. And does anyone take them into account anyway? Recent developments in the Blandford and Pimperne area have shown that neighbourhood plans mean nothing at all when a big development is on the way. Neighbourhood planning is essential in order for communities have a strategy, but it’s a highly specialist job. Parish councillors are expected to lead the plan process, but it’s very time consuming. And as we try to encourage more diverse parish councils (we desperately need to move away from the stereotypical retired white middle class male), we hit the issue that many new councillors have jobs. While they bring a wealth of knowledge, their time to work on major projects is obviously limited.
And then there was more However, the biggest surprise was yet to come. After a long day of “chats” with the council and various helpful council officers, I had one more meeting in the diary: a team of local developers wanted to engage with the parish council to discuss their plans. Knowing we already have three developments progressing in the village, I was hoping this latest one would be a slow burn – even if just to avoid the chaos on our narrow roads and to help us manage demand for housing from locals. How wrong I was. We sat stupefied as a well-developed plan was presented for 94 houses on prime agricultural land (in a village of just 1,300 people), almost as a fait accompli. The developers are already talking to the council planning teams, and swiftly marching ahead. Not a single member of the council was anticipating 94 more houses on top of what we have already had to absorb. Clearly there has been no discussion with the local GP surgery or the school, both of which are creaking at the seams. As a council, we now need to fight for the best deal we can for the parish in terms of infrastructure, which is fragile. What might help is if local communities were properly represented. Parish councillors need a seat at the table from the start – not just a flyer, a website link, and a last-minute public “consultation”. Even a phone call or zoom meeting with the planners would help. At least then, with an increasing tide of new developments reshaping rural Dorset, we can prepare our communities and feel like we have a say. Instead, parish councils are sidelined in major developments, treated with far less respect or status than they should have. It might also encourage new councillors to come forward for public service in a county where there were gaps of up to 25 per cent on newly-elected parish councils last year.
